Charlotte Susa

Gustav Froehlich and Charlotte Susa play Rochus and Judith, the zwei menschen (two humans) of the title. Rochus' domineering mother insists that he enter the priesthood, but he is reluctant to break up his blissful romance with the fair Judith. A religious fanatic of the first order, the mother swears before God and her Church that Rochus will indeed take his vows. When this does not come about, she dies of grief, whereupon the guilt-stricken Rochus abandons Judith to become a priest. The girl subsequently commits suicide -- and it is Rochus who must officiate over her body during the funeral. This final scene was excised from the print of Zwei Menschen released in New York, leaving audiences hanging in regard to Judith's ultimate fate.

This is a real curiosity; at best a reasonable film, but also a charming little gem. There is a story (in the line of "A Star is Born"), but this merely serves as an excuse, as it is more importantly a kind of moving encyclopedia of about 35 stars making their debut in a talkie (although some of them had already made one talkie), of the technical sound possibilities and of film making. Besides all that, it is entertaining and sometimes hilarious and it has fine one-liners that split my side. The film is also remarkable for making mock of typical German film genres (like the overly sweet romances involving the military), of too heavy acting and of film making in general. I have to mention this one: a short, hysterically funny parody of "Der blaue Engel". What this film in fact says is: do not take any film too seriously. (J. Steed)

At the last performance of the Barszony Circus in Hamburg, the Indian lion-tamer Sikkim Khan is attacked by a tiger and is badly wounded. That he got away with his life at all is due to the quick action of the circus director's daughter, Tamara, who shoots the tiger. From that point on, Tamara appears as "Sikkim Khan" and the "Diamond King" van Houten falls in love with her. On a ship of the South American Line, they meet and get to know each other better. When an emerald worth half a million is stolen, Tamara declares herself to be the thief, so as to protect an old colleague of her father, who wants to save the circus with the money from the stolen jewel.

On a train's way to the Italian Alps, the jewelry of a wealthy young widow is stolen and a military veteran working as a waiter is the first to come under suspicion.

Andrea, the beautiful daughter of a railway gateman, is seduced by a rich passenger, who missed his train. Left pregnant, Andrea marries another man and moves to Prague, only to encounter her former lover and recover her former lust.

Felix Bressart, later one of the most delightful members of the Ernst Lubitsch "stock company," plays the title character in the Austrian comedy Hirsekorn Greift Ein (Hirsekorn Does Something About It). It's a typical worm-turns affair, as a mild-mannered provincial actor ends up working as a chauffeur for a scatterbrained female novelist. Slapstick is the order of the day, except in the scenes involving heroine Charlotte Susa. Guiding the actors through their paces was Rudolf Bernauer, a stage actor-manager of vast experience. Critics in 1931 felt that Hirsekorn Greift Ein was too thin to be stretched to 90 minutes.

Nazi propaganda film with Hans Albers starring in a dual role as a daring German airman and a Russian general, two cousins who find themselves facing each other in bitter enmity after the end of World War I.

Maria Pretorius is the leader of a counseling office in a large factory. She is completely engrossed by her career and so gives the cold shoulder to her colleague Wallrodt, who wants to marry her. Only the young Manfred Thiele is successful in winning her sympathy through his perseverence. That, however, pisses off Lyda Lehmann, who has long had the hots for him.

Musical comedy about a famous opera star in Vienna.

When a criminal named King Fu who has terrorized a city substitutes himself for a stage actor who resembles him, the staff and spectators at that night's show think the actor is giving an unusually good performance.

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Mysterious murders committed by a criminal have kept the public on their toes and the police have mistakenly accused an imposter of the crimes.

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The Duty to Remain Silent (German: Die Pflicht zu schweigen) is a 1928 German silent drama film directed by Carl Wilhelm and starring Marcella Albani, Vivian Gibson, Angelo Ferrari. It was based on a novel by Friedrich Werner van Oestéren. The film's art direction was by Max Heilbronner.

Revolutionaries plot to assassinate a president by blowing up the rail tracks in order make his train derail but this is averted just in time.

A man comes into money unexpectatly. That's when the trouble starts.

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Musical comedy set in the scenic Rhine country, in which dashing officers and enlisted men pursue various kinds of women.