Acting
The illegitimate child, Marie Růžová, grows up in the family of the Bořický miller. Childhood and youth spend with the son of Bořice, Klement. Klement asserts the rights, becomes a lawyer, and marries Jirina. In order not to cause further contradictions, Mary will go to Prague secretly at night. There he is living heavily as a waitress. He resists the insults of architect Jansky until he ultimately decides to commit suicide in despair.
The film depicts the troubles of Herr Verner (Karel Hasler), a middle-aged bachelor dentist who wants to marry.
A student rebellion precedes revolutionary events in Prague.
Even children in an over-technified civilization need fairy tales, and Mrs. Fairy Tale invites them into her world. The woodcutter goes to the forest with his children, Hansel and Gretel. While their father works, the children pick strawberries. However, they get lost deep into the forest and lose their way back. After a sinister night, they find themselves in front of a honey gingerbread house. While peeling gingerbread, the witch catches them: she locks the skinny Hansel in a cage to fatten him up, and makes the plump Gretel her helper. However, benevolent angels watch over both children, appearing to them in their dreams and giving them hope for salvation.
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The likeable and charming Vanda Karhanová has problems in every job because of her appearance. So when she is about to start a new job, she decides to decisively prevent similar problems. She adjusts and dresses in a way that men do not notice her and do not pay attention to her. She has no idea that she will cause even more problems for herself, and not only because she now bears an uncanny resemblance to the millionaire Czech-American Ruth Baretová, who ran away from home to avoid getting married. First, Vanda is mistakenly arrested and ends up in the police station, so she cannot return to work. At the factory, they suspect her of having disappeared with a large sum of money that they had entrusted to her to deposit in the bank. Then the whole situation is complicated by the arrival of the real Miss Baretová.
The drama from the time of the Nazi occupation begins at the train station, where a transport with German soldiers is passing. The train is stopped due to improvised sabotage by one of the railway workers. Resistance liaison Růžena Kubínová is arrested in a random raid. The cynical councilor Dönnert discovers her false documents and has her brutally interrogated. He suspects that she could contribute to exposing the entire group. He puts a informant, Herta, in her cell.
A lost lady's glove that connects several human destinies. The focus here is not on the lost part of the wardrobe, but on piano virtuoso Arne Brant, a man armed with a charming smile and surrounded by women, two of whom have particularly influenced his life. The first is the daughter of a famous can-can star, dancer Pavlína Doré-Zejdová, the second is Mařenka Berková, the main character of the film and a kind of Kristián in skirts. An orderly and well-bred daughter from an honorable family who lives her second life as a lady of high society. The lost glove complicates the situation for all of them considerably, but in the end she finds her rightful place, just like the heroes of the film...
Prague, during World War II. Hana Kaufmann, a Jewish ophthalmologist, marries Dr. Antonín Bureš, a Christian man. When her family is sent to the Theresienstadt concentration camp, their romance turns into a struggle for survival.
The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)
Irča Miňovská, the daughter of a car factory director, meets mechanic Lexa Hora by chance. They fall in love, but Irča's father does not want his daughter's unequal relationship and decides to send Irča to a boarding school so that she cannot see Lexa. Lexa leaves the plans for her new engine with her boyfriend Harry Peters at the factory, resigns, and leaves to forget about Irča. Director Miňovský would like to produce a new type of engine, but Lexa is nowhere to be found...
Věra accepts the offer of her friend Kajetán, who arranges a position for her in Dominik's puppet factory. The spirited girl impresses her employer, Antonín Dominik, so much that he falls in love with her. Dominik's mother notices her son's interest in Věra and immediately fires her. Kajetán, who works in the studio of sculptor Výr, who is engaged in the production of mechanical puppets that can be used to advertise goods, asks Věra for help...
An old peasant from Chodský, Záhor, claims to the young Podestát that he returned three hundred gold pieces to his father before the old Podestát died. Out of greed, Záhor even decides to perjure himself in court. The indignant creditor warns him of God's wrath. Záhor's sons, Matěj and Vondra, are vying for the same girl - the daughter of a blacksmith, Nana.
