Acting
In this Biblical epic, a brave Chaldean rebel takes on his evil nemesis, a cruel Assyrian king. En route to his fateful meeting, the rebel hides in the humble hut of a luscious peasant girl.
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A story, set in Rome of 44 A.D., concerning the amorous and political intrigues of the evil Empress Messalina, the wife of the Roman Emperor Claudius, and her eventual hounding to death.
The actress Francesca Bertini, as every diva worthy of her name, always arrives on the set extremely late. One day, in the studio, she happened to hear a colleague actor who, back from the front, tells about the brutalities suffered by the civilians in the occupied territories. At night, still troubled by that story, Bertini falls asleep and dreams: in her dream she plays the role of Mariute, a young Friulian countrywoman, mother of three kids waiting for her husband homecoming from the frontline. One day, while she is going to the well for water, she is assaulted and molested by three enemy soldiers. Her father-in-law will avenge her. In the meantime Bertini, waking up with a start, will arrive to work on time and she will end the film inviting the public to put their savings into the war bonds.
During the Austro Hungarian empire, a girl substitutes for her brother in a military academy.
One of the last of the silent Sherlock films.
German silent film about the life of Martin Luther
Annina, a rural amateur dramatic actress, comes to the aid of a theater director who has been in a car accident. As a joke, the director invites Annina to perform in his theater in the city, but there she is mistaken for the director's lover, who has recently reconciled with his wife.
Marriage and sexuality is examined through the lens of screenwriter Dr. van de Velde, a Dutch gynocologist.
In "Fabiola" (1918) Herr Guarzzoni moved from the earliest days of Christianity when the new faith was struggling to just survive to a later period in the Roman Empire when the religion was a major force and attempting to win over Rome.
After his plane makes an emergency landing, a kidnapped millionaire assumes the identity of a poor man.
The young student Mary spends the beginning of her holiday with boat trips, visits to her wealthy groom, and gardening. In fast-paced, rhythmic cuts, Louise and Jakob Fleck draw their audience into a carefree, urban romantic comedy. With a single scene, however, it turns into a melodrama about sexual violence, shame and perpetrator-victim reversal.
A homeless girl is taken in by an engineer. They fall in love.