Alexander Pushkin

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

Folio, a precursor to CBC's renowned fine-arts series Festival, aired for four years starting in 1956. The series showcased original dramas, music compositions, and ballets, many originating from diverse regions across Canada. Notable episodes featured Barry Morse in a new staging of MacBeth, along with performances by Canadian talents like Robert Goulet and Sharon Acker. One of the highlights included a musical adaptation of the beloved Canadian classic, Anne of Green Gables. Airing without sponsorship, Folio thrived until its conclusion in the fall of 1960. Producers: Robert Allen, Harvey Hart, David Greene, Mario Prizek and Ronald Weyman.

Horror legend Christopher Lee hosts this anthology in the tradition of Alfred Hitchcock Presents, each half-hour episode adapting a story from a classic author, with tales by Edgar Allen Poe, Fyodor Dostoevsky, Ambrose Bierce, Robert Louis Stevenson, and Oscar Wilde.

Red Iron Road is an animated horror anthology series, based on the works of famous European authors. Each of the episodes are between 10-20 minutes, produced with different creative partners in unique visual styles to suit each story.

Peter the Great takes a Russian man of African heritage - Ibrahim Petrovich Hannibal - under his wing as the tsar builds his grand navy. After having a disastrous affair in France, Ibrahim vows to never fall in love again, until he sees the daughter of a wealthy boyar. Peter the Great insists the two be married, but Ibrahim goes against the tsar's wishes, refusing to force her to marry him since she doesn't consent. When another man tries to marry her, however, Ibrahim's loyalties and generous nature are put to the test.

Filmed at the 1992 Glyndebourne Festival in Lewes, England, this production won unanimous critical acclaim for its innovative interpretation of Tchaikovsky's opera "Pique Dame" ("Queen of Spades"). Although sung in Russian, the production features English sopranos Felicity Palmer as the old countess and Nancy Gustafson as Lisa. Russian tenors Dimitri Kharitonov, Sergei Leiferkus and Yuri Marusin co-star.

This wonderful story happened in the age of valiant knights, beautiful princesses, and battling sorcerers. Ruslan, a wandering artist dreaming to become a knight, met beautiful Mila and fell in love with her; he didn’t even suspect that she is the King’s daughter. However, the lovers’ happiness wasn’t meant to last too long. Chernomor, the evil sorcerer, appeared in a magic vortex and stole Mila right before Ruslan’s eyes to transform her power of love into his own magic power. Without further ado, Ruslan sets out on a chase after the stolen princess to overcome all obstacles and to prove that real love is stronger than magic.

One dark winter evening, the young tsar Saltan was lucky enough to find himself a tsarina from a simple Russian family. He was so impressed by the speech of the young charmer that he married her the same evening, and took her two sisters with him to the palace as servants. However, the treacherous girls do not share the happiness of their luckier sister and begin to plot. Saltan leaves for a long military campaign, during which the young queen gives birth to his son. The evil sisters write a dispatch to the tsar, where they brazenly lie about the child: they say, the queen gave birth to someone unknown, "neither a son nor a daughter." Saltan is upset, but orders to wait until his return. The sisters substitute the letter, and as a result, the girl and her son are sealed in a wooden barrel and thrown into the ocean in the best sadistic traditions.

There are elements of Macbeth in this political fable, in which the ghost of the child that Boris has had killed in order to seize the throne appears as an impostor. Adapting Pushkin's epic poem, Mussorgsky composed a meditation on the solitude of power, a populist drama in which the real protagonist is the Russian people with its burden of eternal suffering. Ivo Van Hove is no stranger to grand political frescos. This is his first production for the Paris Opera.

An adaptation of Pushkin's historical novel about the Pugachev's Rebellion in 1773–1774.

Nobleman Boris Godunov accumulates power in Russia, first as regent, then as tsar. But the ghosts of the past catch up with him and he ends up losing not only his power but his sanity. Russia sinks ever deeper into a mire of corruption, intrigue and coups. In his grand choral opera, Modest Mussorgsky deals with a theme that offers poignant parallels to today’s world: the extremes to which one man’s thirst for power can lead. The director Kirill Serebrennikov incorporates his own experiences in Russia to present his take on an opera about political turmoil and its consequences. Serebrennikov’s production focuses on the effect on the people of high-stakes political scheming. Conductor Vasily Petrenko makes his Amsterdam debut leading the Royal Concertgebouw Orchestra. A top-flight cast is led bass-baritone Tomasz Konieczny, celebrated for his ability to get into the skin of his characters both vocally and dramatically, singing the title role for the first time.

The history of the gypsy Aleko who couldn't forgive the betrayal of his wife.

Film version of the Rimsky Korsakov opera from the Pushkin story. Motsart i Salyeri (Mozart and Salieri), based on a legend that Salieri poisoned Mozart, meditates on the nature of creativity while introducing, in brilliantly compressed speeches, what was to be one of the important Russian themes—metaphysical rebellion against God.

Evgeniy Onegin lives in grand style: balls, receptions, theater premieres and other frivolities the capital can offer a young man. But social life has long tired him, so he perceives the news of the illness of his uncle living in the village as an opportunity to escape. However, having reached the estate, Onegin learns about the death of a relative, which, however, does not upset Evgeniy too much. His financial affairs are very sad, and his uncle is rich and has no other heirs. Onegin locks himself in the estate, living in aimless solitude until the owner, who has returned from abroad, appears at the neighboring estate – a young, enthusiastic Vladimir Lenskiy, not yet satiated with life, who introduces Evgeniy to sisters Tatyana and Olga Larin.

After the tale by Alexander Sergeevich Pushkin. Graduation performance, developed into a film. Filming took place in the Pushkin museum.

A virtuous and passionate girl falls in love with a cynical but a dashing aristocrat.

This is the Andrei Tarkovsky production of the famous Pushkin/Mussorgsky opera, performed in 1990. Modest Mussorgsky's opera in prologue and four acts is performed by the Kirov Opera with performances from Olga Borodina, Alexei Steblianko and Sergei Leiferkust. Boris Godunov has obtained the throne of Russia by murdering the rightful heir Dmitry. An old monk, Pimen, witnessed this, and convinces his apprentice Grigory to avenge Dmitry's death. In the following years Grigory poses as Dmitry, raising an army against Boris, who is now convinced that he is being punished for the murder. Filmed in Russia during the collapse of the Soviet Union, this particular production of Mussorgsky's 1872 tale of political upheaval is considered a highly unique and historical moment in opera. Robert Lloyd stars in the title role of Boris Godunov.

In the midst of the wedding party of Prince Ruslan and Ludmila, daughter of Prince Vladimir, the girl is kidnapped by the evil sorcerer Chernomor and the witch Naina. Three of her past suitors set out, as does Ruslan, to rescue Ludmila.

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