Erica Jordan
Production
Known For

Walt Disney said “We have created characters and animated them in the dimension of depth, revealing through them to our perturbed world that the things we have in common far outnumber and outweigh those that divide us.” Outside of Walt himself there are few people who have brought together and united more animators in the history of the genre than Craig "Spike" Decker and Mike Gribble, known to all as Spike & Mike. They created an animation festival that helped launch the careers of John Lasseter, Peter Lord, Will Vinton, Bill Plympton and Mike Judge to name just a few. Their Spike & Mike festival had an enormous impact on animation that was felt the world over. The festival was known as much for the breakthrough animation it presented as the outrageous antics of the founders.
Animation Outlaws

Phillip Schuman's women-in-prison film is an account of a group of female prisoners who decide to organize a variety show.
Jailbird Rock

After a close encounter with a UFO, a man becomes a trance channel for an extraterrestrial entity, which leads to a deeper investigation on the nature of reality and mankind's place in the cosmos.
First Contact

Shadow Stalker outlines the history of Predictive Policing, Digital Identity Theft and the dangers of Data Mining, that uses algorithms, performance and projections to make visible private Internet systems that are increasingly used by law enforcement and promote racial profiling. Drawing on a network of critical thinkers on surveillance and machine learning, Hershman Leeson abstracts the red square zone into a specter that haunts the work. Where one falls on the map in relation to this red square becomes a proxy for who one is-location, a proxy for identity.
Shadow Stalker

Looking For My Anchor follows filmmaker Erica Jordan as she navigates her journey through grief after the loss of her mother, eviction from her home, the end of a long-term relationship, and her son leaving for college. Living aboard a small boat in a working-class maritime community on the edge of Marin county, she uses personal video journals and home movies to revisit moments of motherhood, loss, and longing, while confronting the uncertainty of life on the water. Her story intersects with the lives of three people living anchored out on the San Francisco Bay – the wise, self-described “anchor outlaw” battling health issues while struggling to maintain his boat; the young advocate fighting to save her community from displacement; and the artist whose untimely death underscores the fragility of their existence.