Marta Rašlová

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Jakub's life arrived at a dead-end. He leaves his job, and gets into conflict with his father. The trouble just grows by his relation with a married woman. Breaking out, Jakub realizes the pleasures of the countryside in the old garden of his grandfather. He finds true love with an angel, and encounters various exciting moments of his new free life. Strange visitors arrive, and he wont get back to town anymore.

A film about the uncertainties faced by a man in post-Communist Slovakia, his relationship with a teenage son and English teacher girlfriend who's soon to return home to England.

A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.

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The Slippers of Happiness is another film made by the Slovak Film Production in co-production with West German companies based on classic world fairy tales. After Slovak folk tales [The Greatest Peck in the World, Salt Over Gold] and the works of German fairy tale writers Wilhelm Hauff [The False Prince] and the Brothers Grimm [The Land of the Thrush's Beard, Perinbaba], screenwriter Alex Koenigsmark and director Juraj Herz were inspired by the famous fairy tale by Hans Christian Andersen. It tells the story of slippers that the Fairy of Fortune enchanted so that they would fulfill every human wish and thus bring people happiness. The filmmakers humorously transferred the plot from Copenhagen to old Prague.

Heinz is a well-stocked veterinarian in Klückow and his Jana in quite firm, although not always present hands. And now - as Aunt Alma is slowly getting rid of the concern for her beloved nephew - Dr. Kröpelin finally got his chance: he makes a marriage proposal to Alma. She would not be averse if it had not been his "bloodthirsty" hobby, the hunt. A get-together on the high seat is still not a desirable prospect for Alma. But the more she refuses, the tighter Kröpelin bites into his intention to marry her anyway, whatever the cost.

The fifteen year old Maruska starts as a new staff in the porcelain warehouse. For the boss Svetla it is the last straw. She asked to extend her staff consisting of four girls and a retired lady by a man, not a child. The kind and ever fussy Svetla, battling in vain with overweight decides to leave her position and to take another one in the office. As soon as she finds out that the position will be taken by Arnost Jarolím, she insists on a hand over inventory.

A comedy about five students who are un-justly suspected of trying to lose their virginity before their graduation. The five girls first try to defend themselves, but when they find out that nobody believes them - neither the school principal nor even their own parents - they decide to accomplish what they have been falsely accused of. And although their clumsy attempts are mostly comic, at one point they almost cause a big tragedy.

The story of two friends and managers of a mountain hut. The central theme of the film is nature conservation and environmental protection. Friends Mišo and Dušan, who love the Tatras, try to preserve "their" valley as one of the last corners of nature untouched by tourism. They do it with sincere enthusiasm, but only with the means at hand. They settle accounts with sneaky hikers.

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Ten short unrelated stories that move chronologically through Slovakia's twentieth-century history as seen from the perspective of life in small towns and villages.

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Maria, an inn keeper, is always a bride but never a wife. She meets newcomer Pierre, who disturbs the peace of the small village and teaches the locals how to enjoy life. E. Havetta's debut was inspired by naïve art, French impressionism, silent slap-stick and Western Slovakian folk traditions.

Four years have passed since Alma and Dr. Kröpelin got married. The home zoo in Groß-Klückow is thriving and Alma is completely absorbed in her new role. But she still finds time to take care of things that, strictly speaking, are none of her business.

The unhappy and desperate director of the Šúpala Zoo tries to sell a sick bear to a foreign tourist for shooting, because the purchase of other animals for the ZOO is only possible with anti-socialist currency, i.e. hard currency, and so the administrator does everything possible and impossible just to get them...

A story of a young student of medicine, who arrives in a small mountain village after being accused for carrying out illegal abortion. The film reflects the moral decline of the society, where stealing in secret and making compromises against one's beliefs make up mundane reality. The filmmakers went to perhaps the furthest possible limits in terms of allowed social criticism in the 1980s. The negative picture is enhanced by its rural setting, since the Slovak village had been traditionally associated with strict morals and conservative values.

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