Antonio Hens

Guillermo seems like your average high school student, but in fact he's a suave expert at cruising his local shopping malls for gay sex. From a random trick, to his English tutor, to the hottest guy he's ever seen, Guillermo is completely honest and reveals everything.

The story of Diego, a young and successful photographer that lives in the glamorous world of fashion, shallowness and excess. A tragic accident turns his world around; his partner is now in a coma. Unexpectedly, and right at this terrible time, Diego must take care of his son, Armando. Now, both of them have to adapt to each other; Armando to the unknown, homosexual world of his father, and Diego to the closed attitude of his teenage son.

Xabi, a troubled boy, meets Iñaki, a member of the terrorist gang ETA who becomes his mentor and ideological inspiration. Some time later, Xabi is arrested for throwing a Molotov cocktail and confined in a juvenile detention center, where he meets Joel, a Mexican, and Driss, a Moroccan, with whom he manages to flee and reach Madrid with the purpose of finding Iñaki and joining the gang.

Cuba is not a country for young gays. Teen rent boy Reinier falls in love with a mate in the slum soccer field in their neighbourhood in Havana. Although obsessed with moneymaking to hold up his baby, teen wife, and wife's grandma, gambler Reinier always fails to get the stroke of luck he looks for. At the same time he cannot help being infatuated by Yosvani. Handsome Yosvani will give up his older, wealthy girlfriend (whom he hooked up to pay for a lavish life in the big city), and the work he does for her father, a loan thug, so much in love he is with Reinier. But the boys would fight hard to keep this love in the reckless Havana streets.

A dauntless film director, an enfant terrible in his early days, confrontational with censorship, always pushing the boundaries of freedom of expression, chronicler of the darkest corners of the transition, De la Iglesia will fall into the clutches of drug addiction, being forgotten and sometimes repudiated for more than a decade before eventually shaking off the ostracism to make films once again, that habit he could never kick.

Victor has a nice life in Madrid with his partner, José. However, after returning to his childhood home in the mountains of Bulgaria for his grandfather's funeral, he decides to stay for the summer. While reconnecting with his father and the village way of life, he unexpectedly finds love in the form of Liuben, an 18-year-old Roma boy. Despite their differences, and the conflicts surrounding them, Victor and Liuben find refuge in each other, while a romance begins to take form.

Graying Spaniard Daniel has a healthy budget for indulging in the finer things in life. Daniel's favorite luxury is playing sponsor to younger men amid the lights and sights of Madrid's gay club scene. After Daniel shares a night with handsome Bulgarian emigre Kyril, he finds himself consumed with an insatiable lust for the charismatic foreigner. But, as their relationship takes shape, Daniel's latest conquest reveals his own manipulative tendencies.

A vibrant anthology of LGBTQ+ short films and music videos that delve into the complexities of youth, identity, and desire. This diverse collection showcases a range of cinematic voices—both emerging and established—exploring the exhilaration, vulnerability, and confusion of coming-of-age through stories that celebrate queer love, self-discovery, and the breaking of societal boundaries. Blending narrative shorts, experimental visuals, and music-driven pieces, the anthology offers an evocative, multifaceted portrait of innocence transformed.

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The long-awaited sequel to Boys Briefs, the successful compilation of six outstanding short films about gay first love. Hosted by DANNY ROBERTS, star of MTV's THE REAL WORLD NEW ORLEANS. Films included are: Doors Cut Down [En malas compañías] (2000); Chicken (2001); Back Room (1999); Breakfast [Frühstück] (2002); Touch (2001); and Take-Out (2000)

After several years away from the place where she was born, Isabel returns to her town to face the secrets of the past, the problems of the present and the illusions of the future. For her part, Marina will also have to move to that town after a strange traffic accident in which her mother is involved. Marina and Isabel, with very different characters, will see their destinies united from that moment on. With the help of other women, they will decide to revive an old restaurant to get ahead, while unraveling the strange accident that brought them to Monteverde and, most importantly, they start a shared path in which each one will end up finding themselves.

The first work by Fran Araujo and Ernesto de Nova describes the odyssey of Hassan, a Moroccan immigrant who can no longer find work in Spain after thirteen years in the country and decides to go home. He puts all his savings into a second-hand tractor to secure a living in Morocco and sets out to drive it back. When he came to Spain he had nothing, now he's returning with his only belonging: el Rayo.

Federica finds out that the baby she's expecting doesn't share her DNA. She goes to the clinic where she underwent an in vitro fertilization treatment and they acknowledge they made a mistake by exchanging her embryo with another couple's.

Antonio Hens from Cordoba delivers a fascinating and unusual look at the world of the porn industry, in which a convention acts as a melting pot that allows us to meet a number of people whose way of life is "live" sex. Through the stories of a series of men who are involved in gay porn, and the particularities of this work in which the body is a tool (erections being a sensitive element in this equation), another perspective is opened up: the one of the mise en scène of others' fantasies and what this implies for the bodies that carry them out.

In a boarding school, Raidel is witness to the abuse suffered by his schoolmate Randy.

The first gay-themed film produced in Cuba by the Institute of Cinema since Strawberry & Chocolate in 1993. The theme, however, is the same as in Guttiérerez and Tabìo's film: homophobia, machismo and fear. The fatal attraction between Alfredo, a doctor in the merchant navy, and handsome Carlos starts in a rundown Havana bar and ends at the sailor's house. But Alfredo's flirting and seducing of Carlos immediately turns into something complicated, ambiguous, dangerous. In a claustrophobic, tense atmosphere, their bodies are powerfully attracted, and the words, though violent, intensify the level of sensuality. Does each man kill the thing he loves? Evoking dreamlike atmospheres and characters, 80-year-old veteran director Enrique Pineda Barnet openly references Fassbinder's Querelle and Jean Genet. Quite controversial in its approach, the films demonstrates the milder attitude of Raul Castro's regime towards Cuba's LGBT Community.

He was born in Granada, the only city in the world with an explosive name. At the age of ten he joined the Falange because he wanted to play the drum. His biggest musical influences have been Holy Week and his first host, the one he was given at birth. It was produced at the age of sixteen. A little later he began using drugs to escape. he should have died before thirty. For forty years he has hit the drums as life has hit him, with all his might.

Sara is about to get married. Friends and relatives gather to throw her one last big party, and over the course of an unforgettable day, Sara will find herself facing the truth about her relationship. While everyone around her seems to be harboring unspeakable secrets and impossible desires, a string of disasters turns friends into foes, lovers into enemies and a joyful celebration into a whirlwind of chaos. And at the end of the night, Sara may be about to lose her future ... or finally win back freedom.

Spain. 1978. Year of the first democratic elections following the dictatorship, and of the birth cine quinqui (delinquent movies): films that rapidly became a big commercial success, showing things that were banned by the censorship not too long before.