Ip Wan Sang

An undercover cop is forced to team up with a group of unlikely allies to take down a drug smuggling ring.

Five shorts reveal a fictional Hong Kong in 2025, depicting a dystopian city where residents and activists face crackdowns under iron-fisted rule.

Gun is a loan shark. Having worked hard for years, i.e. intimidating and threatening his debtors, he musters just enough money to purchase a house for the family. The plan is at risk, however, when one of his debtors dies and Gun discovers that he is not the only creditor. Out of desperation, he asks for his daughter’s help, who is unwilling to be involved in her father’s shady business. The simmering tension causes a rift in the family.

Mohammad is a young asylum seeker from Pakistan. To make a living, he works illegally as a night delivery worker. He strives for a better life in a city with no identity and future in store for him. Despite his limited income, Mohammad helps out the single mother and her young son from Africa. He spends his days with his compatriots looking for jobs and waiting for their application results, hoping indefinitely for a miracle. Marginalized and ostracized, they survive in cracks and crevices of the city, trembling with rage and despair, waiting for dawn to come.

A night delivery man meets a woman who works in a publishing house. He helps her deliver books to a warehouse during rainy days, and in each encounter an endearing bond forms between them.

Like a cactus, a marriage is expected to last but not without a few prickly details. While the bride's mother is in bliss over her elder daughter's upcoming marriage, the bride's sister is doubtful after witnessing the groom on the street with another woman. As the bride discovers her fiance's affair, the torrent of events prompts a pointed conversation between the three women, highlighting their contrasted views on marriage and fidelity. The bride is veering towards a meltdown while her sister grows more skeptical of marriage.

After years of illness, Ken’s wife finally passes away. Ken returns to his job as streetlight repairman after the funeral. Having to work at night, he rarely sees his daughter Ann, who develops a fear for darkness since her mother dies. Often left alone at home, she learns to grow up at a tender age. She makes her father agree to go out and play with her on the night of Mid-Autumn Festival, but Ken breaks the promise because of work. During the festive season, father and daughter try hard to re-capture moments of love and concern for each other.