Michael Petersson

Wallander is a Swedish television series adapted from Henning Mankell's Kurt Wallander novels and starring Krister Henriksson in the title role. The 1st series of 13 films was produced in 2005 and 2006, with one taken directly from a novel and the remainder with new storylines suggested by Mankell. The 2nd series of 13 films was shown between 2009 and 2010. The stories are set in Ystad near the southern tip of Sweden. The three films Before the Frost, Mastermind, and The Secret were premiered in cinemas, with the rest first released as direct-to-DVD movies. The first episode of the second series, Hämnden, was released in Swedish cinemas in January 2009; the rest of the series was made for television. The BBC aired all 26 episodes of the Swedish television versions on BBC Four. A third and final season, containing six 90 minute episodes, will air in 2013 with Charlotta Jonsson as Linda Wallander. The first episode, adapted from the novel The Troubled Man, was released in cinemas in January 2013.

When an arsonist is released from prison, the villagers do not want him anywhere near them. Soon they take matters into their hands and Wallander has to investigate whether their fear is justified.

After suffering a family tragedy, a young woman leaves her hometown to start a new life in another city. During her long drive, she meets a mysterious man who begins following her. Before she knows it, she has been kidnapped and taken to a basement somewhere in the forest. With no one coming to her rescue, she must rely on herself if she wants to survive.

When Tuva's parents die in a car crash, she learns that she is adopted. Disappointed with those around her for never telling her the truth, she sets off with her own daughter in search of her biological mother.

Frans G. Robinsson, a young private eye from Lund, comes to Malmö to solve the mystery of a missing mailman. He is prepared for the worst the wretched city can throw at him. The deeper he digs, the greater are the reveals and he is forced to question his preconceptions - and his sanity.

There was a double homicide on the forgotten Swedish countryside several years ago. Two angry young men beat two young women to death, seemingly without any particular reason. The years passed but the images in our heads did not disappear. We tried to forget it, wrote screenplay after screenplay, but we always came back to those murders, and to telling the story about a part of Sweden that we never read about in newspapers, and that is populated by people whose thoughts and destinies rarely reaches beyond their village.