Roberto Hernández

When Chelo Zamora, middling singer, agreed to spend the summer working in restaurants in the Valencian beach Cullera, could not imagine being reunited with Toni, a guy who shares a dark past. Moved by his desire for revenge, Chelo attempt to ruin his life: get him to break with his girlfriend Esther, who loses his job and returning the police on her trail.

As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.

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Years after a patient killed himself under her care, a therapist finds herself reliving the case when a new patient with a similar condition asks for her help. But when her life begins spiraling out of control, she wonders if this is mere coincidence... or if there are more sinister forces at work.

Devil Gold is director José Novoa's third collaboration with producer Elia Schneider, and like the previous two films, Huelepega (or Glue Sniffer, which Schneider directed in 2000) and Sicario (1994), the film is a thriller-melodrama that focuses on a real-life problem plaguing Venezuela, with an emphasis on how the conditions affect children. Thus, after a few titles explaining the impact that gold mining has had on the country's Amazon region, along with helicopter footage (later to be blended into the narrative) of the ecologically devastated area, the film settles in on the lawless shanty town of Payapal for its narrative. Gallego (Armando Gota) runs the mine, exploiting his cheap labor force. Aroldo (Pedro Lander) breaks into Gallego's safe and steals his gold, along with a good deal of gold that Gallego was holding for his workers. Aroldo involves the unwitting Carmen (Jenny Noguera) in the robbery, and, when they are discovered, he shoots and kills Gallego's young son.

The story of a young Colombian recruit who, while patrolling his country's border, is befriended by a Venezuelan adversary, and the tragic consequences of their relationship.