Nikita Podgornyj

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A miniseries about the Cheka's destruction of an underground organization led by Boris Savinkov.

Based on the novel of the same name by Fyodor Dostoevsky. The tragic story of the Karamazov family takes place in a Russian province in the late 19th century. The relations of their father and three brothers are very complicated and contradictory. One of the brothers is accused of killing his father, whom he did not commit. The brothers are unable to help him, and only a loving girl follows him to hard labour.

Andrey Pavlovich Buzykin, who makes a living by teaching at an institute and translating English literature, is cheating on his wife. Buzykin's main problem is that he's a kind man with a weak character. The lies he is telling his wife all the time are inconvincing, but he never has the courage to tell her the truth. His lover, Alla, is aware of his family life, but gets offended when, for example, he cannot meet her so that he doesn't come home late, or when he doesn't want to go home in a new jacket she gives him to avoid having to explain to his wife. Alla and Nina, Andrei's wife, both leave him, forgive him, and return to him at the same time, and Andrei continues with this kind of life, full of suffering and deceit. Finally, both women are so fed up with his lies that they don't believe him even when he is telling the truth...

Prince Myshkin returns to Russia from Switzerland, where he was treated in a psychiatric clinic. On the train, on the way to St. Petersburg, the prince meets Parfyon Rogozhin, who tells him of his passionate love for Nastasya Filippovna, the former containment woman of the millionaire Totsky. In St. Petersburg, the prince finds himself in the house of his distant relative – Lizaveta Yepanchina (General's wife), meets her husband, their daughters, as well as the Secretary of General – Ganya Ivolgin. The portrait of Nastasya Filippovna, accidentally seen on the general’s table, makes a great impression on the prince...

Based on the eponymous novel by A.I. Herzen.

Three Soviet prisoners of war escape from a fascist concentration camp at the end of the war. One of the guards helps them and runs with them. Many years later, this former German henchman meets one of the escapees and comes up with the idea of ​​\u200b\u200bthe destruction of all the fugitives with whom he once escaped from a concentration camp; they abandoned him wounded during the escape. He begins to put his cruel plan into action, deciding to take revenge and thereby getting rid of witnesses to his crimes in the concentration camp...

The film tells about the childhood and youth of the wife, friend and military ally of the founder of the country of the Soviets Nadezhda Konstantinovna Krupskaya. The main attention in the film is paid to the participation of a young revolutionary in the organization of the struggle of the workers of St. Petersburg for their rights, against the autocracy.

A new Soviet life is emerging in a new Moscow microdistrict. New people, new families, new neighbors. The elevator is not yet working, or is no longer working due to constant overload due to transporting furniture. Neighbors are just getting to know each other, getting to know each other, and gradually the lives of different families imperceptibly begin to intersect.

About the early years of the life of the philosopher and writer Alexander Herzen, about his first and unrequited love, about the throwing of youth and growing up of a young critic and revolutioner. According to his father, he comes from an ancient Russian family, and his mother was a simple German woman. As an illegitimate son, he was not given the name of his father, Yakovlev. In his youth, he was fond of the ideas of freedom, for which it is not a pity to fight, which even then was close to the ideals of the revolution...

A.N. Ostrovsky recalls the first period of his creative work (1849–1859), when he began collaborating with the Maly Theatre and with masters of the Russian stage such as L.P. Kositskaya, M.S. Shchepkin, and P.M. Sadovsky. Almost every character in this film is a real historical figure.

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A female commissar is sent to the naval detachment, led by the anarchist Vozhak, on behalf of the Party Central Committee. She is tasked with subordinating the sailors to the cause of the revolution.

A relations between man and woman become complicate after 20 years of marriage.

In the focus of the film is the fate of Varvara Basova, whose painfully soulless, philistine-gray existence, devoid of ideals and moral content. Relevant today, the picture sounds like a verdict to all who are mired in vulgarity, who have exchanged life for petty pleasures, profit, empty philosophizing.

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A TV film about how the hard days of the siege of Leningrad united the residents of a communal apartment. 1941. Teenager Petya is taken in by a neighboring family after the death of his mother. The boy goes to work at the factory, and when his younger brother Vovka is found, Petya strives to replace his father.

Police are detaining an opposition newspaper journalist on suspicion of murder. The prosecution's evidence is scanty and fragile. But a dirty political fuss has developed around this case. The fate and life of a person become the stake in the struggle for power.

Eugénie Grandet is set in the town of Saumur. Eugénie's father Felix is a former cooper who has become wealthy through both business ventures and inheritance (having inherited the estates of his mother-in-law, grandfather-in-law, and grandmother all in one year). However, he is very miserly, and he, his wife, daughter, and their servant Nanon live in a run-down old house which he is too miserly to repair. His banker des Grassins wants Eugénie to marry his son Adolphe, and his lawyer Cruchot wants Eugénie to marry his nephew President Cruchot des Bonfons, both parties eyeing the inheritance from Felix. The two families constantly visit the Grandets to get Felix's favour, and Felix in turn plays them off against each other for his own advantage.