William Nolan

A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.

A nobleman vows to avenge the death of his father by the hands of pirates. To this end, he infiltrates the pirate band; Acting in character, he single-handedly captures a merchant vessel, but things are complicated when he finds that there is a beautiful young woman of royal blood aboard.

Gulliver washes ashore on Lilliput and attempts to prevent war between that tiny kingdom and its equally-miniscule rival, Blefiscu, as well as smooth the way for the romance between the Princess and Prince of the opposing lands. In this he is alternately aided and hampered by the Lilliputian town crier and general fussbudget, Gabby. A life-threatening situation develops when the bumbling trio of Blefiscu spies, Sneak, Snoop, and Snitch, manage to steal Gulliver's pistol.

A girl is saved by a miracle after she falls from a cliff in the Argentine Andes, and is blessed with healing powers. A shrine is built on the site, and a whole city grows around it, rich with gold from the grateful worshipers. Ruiz, an evil and sadistic general, captures the city, confiscates the gold, and closes the shrine. But the Gaucho, the charismatic leader of a band of outlaws, comes to the rescue.

A large-scale revue musical built around Paul Whiteman and his orchestra, presenting a series of musical performances, sketches, and staged tableaux in early two-color Technicolor, emblematic of Hollywood’s early sound-era “all-star” musical productions.

Amid big-budget medieval pageantry, King Richard goes on the Crusades leaving his brother Prince John as regent, who promptly emerges as a cruel, grasping, treacherous tyrant. Apprised of England's peril by message from his lady-love Marian, the dashing Earl of Huntingdon endangers his life and honor by returning to oppose John, but finds himself and his friends outlawed, with Marian apparently dead. Enter Robin Hood, acrobatic champion of the oppressed, laboring to set things right through swashbuckling feats and cliffhanging perils!

Don Cesar De Vega crosses swords with a vicious member of the Queen's Guard, and steals the affection of a young heiress. When the officer frames the young upstart for murder, Don Cesar fakes his own death and retreats to the crumbling ruins of the family castle he plots his vengeance.

Oswald is riding on a camel; he defeats an attacking lion, using the camel's humps as cannonballs. In Cairo, he meets a queen and sings her his theme song; the sphinx and a couple pyramids join in, but the king isn't as happy.

Late in the evening, just as a skeleton puts out its cat for the night, the masked Phantom stalks the graveyard, pausing only to insult an overly inquisitive owl. The Phantom enters the local opera house and falls in love with Kitty, a feline singer who is terribly jealous of the star of the show, a husky-voiced hippo. The Phantom falls in love with Kitty at first sight. For her sake, he sabotages the hippo (by popping and deflating her). Then he puts a phonograph player down Kitty's skirt. She walks out and pretends the recording is her own voice. Even though the record skips and, moments later, slows down to a stop (forcing the Phantom to crank the machine for her), Kitty is a hit. But does she appreciate the Phantom? No. Backstage, she jumps into the arms of Oswald the Rabbit. Enraged, the Phantom grabs Kitty and takes her down with him to the catacombs underneath the stage. Oswald goes on a rescue mission.

Oswald the Rabbit puts on a concert for a group of barn animals - but when they discover that he's miming to a record of his idol, Paul Whiteman - they boo and shun him. Oswald wanders off in shame to hang himself from the nearest tree and is stopped by none other than Whiteman himself who happens along in his car. The two begin performing music using parts of the car which leads to some highly surrealistic setpieces (dancing tools - a hood ornament that does an Indian dance, etc.) This rare and whimsical cartoon was used to promote THE KING OF JAZZ and makes reference to same.

In this cartoon, Oswald wears a shirt for the first time, therefore completing his outfit. Some plot elements in the cartoon would be used again in Carnival Capers.

Oswald applies and lands a job at Pete's Piano shop. After teaching a chicken to play with corn seeds, he gets a call from his girlfriend to deliver a piano. He uses a goat to deliver the piano, but struggles to lift it up using various methods. Eventually, the goat does the trick, with some amusing results

A mother dinosaur hatches three little cuties, but the fourth is "ugly." He gets an inferiority complex because his brothers won't play with him, and they treat him meanly. When a big sabertooth tiger comes along, the baby dinosaur begs the predator to eat him. The little dino says, "Eat me, eat me....I have a face that even a mother couldn't love." The "ugly dino" ends up saving the day, and his mother showers him with kisses and hugs.

Popeye's elderly father, Pappy, wants to go out at night. Popeye wants him to sleep.

Oswald the Rabbit comes to the rescue when a peg-legged sheik abducts his girlfriend and brings her to a mysterious pyramid filled with walking skeletons, animate hieroglyphics and other strange sights.

Oswald the Rabbit gathers some of the greatest entertainers of the age to cure Old King Cole of the blues.

After reading the story of Little Red Riding Hood to three kittens in a cradle, Oswald the Rabbit goes to sleep thinking about the girl heroine. In his dream, he sees the girl pass by and decides to pick a couple of flowers for her. But the stems are impossibly long, and no matter how much he pulls, they just get longer and longer. Meanwhile, a wolf, craving the girl's basket of goodies, pulls the wool off a nearby sheep and disguises himself in it. As a bogus sheep, he asks questions of the girl. She reveals she is going to grandma's house. Soon, the wolf is at grandma's door. The old woman is so frightened, she swallows her harmonica. The wolf stores her in the icebox, promising to eat her later. By the time the girl arrives, the wolf has disguised himself as the old woman. Oswald eventually comes to the rescue. But the wolf finds a magic wand inside the basket of goodies and uses it to put Oswald on top of a construction site.

A Walter Lantz/Bill Nolan Oswald the Lucky Rabbit cartoon released February 9, 1931.

An Oswald the Lucky Rabbit cartoon.

The mortgage is due by 6 p.m. or Grandma and Oswald will lose the homestead. Oswald is forced to take the beloved old milk cow to market. On the way, he's accosted by a scary old witch. She wants the cow and gives Oswald a bag of magic beans in exchange. The beans grow into a huge beanstalk which transports Oswald to a giant ogre's castle in the clouds.