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Denise Janzée

Editing

Known For

My Mother, Actress Willeke van Ammelrooy

A personal documentary by Denise Janzee, made in an attempt to get closer to her mother Willeke van Ammelrooy. On movie sets and on screen, Denise saw her mother cry, laugh and fight. At home, however, Willeke shut herself off when she was sad. “I’ll only come back out once I’m smiling again. Such is my way,” she used to say. The only time Denise really saw her cry was at the funeral of her father Leendert Janzee. He committed suicide when Denise was six years old. His decision to do so wasn’t unexpected, but his death nevertheless meant the ultimate loss for Willeke. She had wanted to let him live through her love. She feels defeated and locks herself in until she is ready to face the world again. Meanwhile she expresses herself through her characters. In this compelling film mother and daughter look back on this deciding and emotional period in their lives, illustrated by home movies.

My Mother, Actress Willeke van Ammelrooy

2008Movie
My Name Is Nobody
6.0

In 1937, at a school in the Trastevere district of Rome, a class photo was taken. Nobody could have known that two of the boys in the picture would go on to make film history: they were director Sergio Leone and composer Ennio Morricone. Another boy sat between this duo destined for world fame. What could have become of him? Denise Janzee took the photo back to Trastevere to discover the identity of the unknown boy. A taxi driver, an old barber, a retired lawyer, a doctor, a priest, another filmmaker—these are just a few of the locals who puzzle over Janzee’s question. But not everyone sees its importance. Why would you make a film about an ordinary person, when you can see ordinary people anywhere? As the picture of this unknown man gradually emerges, My Name Is Nobody also profiles the interviewees, the neighborhood and a society in which fame is regarded as the utmost virtue—so if nobody has ever heard of you, what do you have left?

My Name Is Nobody

2017Movie
Polonaise
7.5

In the TV film Polonaise, traffic jams have grown into a phenomenon in which traffic jam call girls, hairdressers and photographers enliven the endless delays. The film follows a number of people in a jam on the A5. The central character is a Pole in an expensive Saab Convertible, who is wanted by the police. A red Panda carries the heavily pregnant Hilde and her cynical sister. Hilde is worried because she has not seen her friend anymore after a quarrel. In an old Saab, a young couple is bickering. She is a `yuppie cunt' who stakes her marriage for a parking licence and is tired of her husband smoking dope. Charlie the music promoter is driving his son's car. He likes traffic jams, because they allow him to settle his deals undisturbed and meet his secret love, the traffic jam call girl Nena. While the characters are confronted with each other and themselves more and more, tension rises to a peak. A radio pirate connects the story lines with his chatter.

Polonaise

2002Movie