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Valentino Macchi

Valentino Macchi

Acting

Known For

Inspector Coliandro
7.9

Coliandro is an inspector serving at the Bologna police headquarters who constantly finds himself embroiled, against his will, in matters bigger than himself. But Coliandro never backs down, even though his carelessness and investigative incompetence inevitably land him in trouble.

Inspector Coliandro

2006
Origins of the Mafia
8.0

Journey back more than 400 years to 16th century Sicily, where the small Italian islands have fallen victim to corruption, intimidation, extortion, and brutality.

Origins of the Mafia

1976
The Taming of the Shrew
6.9

Italy, 16th century. Petruchio, a choleric, lying and poor rural landowner from Verona, arrives in Padua in search of fortune and a wife, while Baptista, a wealthy merchant, announces that he will not allow Bianca, his youngest daughter, to marry until the temperamental and unruly Katherina, his eldest daughter, does.

The Taming of the Shrew

1967
Boccaccio '70
6.9

An anthology of four comic moral tales about the hypocrisies surrounding sex in 1960s Italy: frothy young love and office politics in the big city; milk advertisements that begin to haunt an aging prude; a trophy wife enduring her husband's very public affairs; a lucky ticket-holder at a small town fair.

Boccaccio '70

1962
Sodom and Gomorrah
5.4

Lot leads his people to a fertile valley adjacent to the cities of Sodom and Gomorrah, hotbeds of vice and corruption ruled by the merciless Queen Bera. When Lot orders a dam to be busted in order to prevent the destruction of the cities by the attacking Helamites, the queen, in gratitude, allows Lot's people to settle in Sodom. Soon, however, the veneer of civilization begins crumbling as Lot and the Hebrews become corrupted by the Sodomites.

Sodom and Gomorrah

1962
The Witches
6.0

Five short stories loosely dealing with the roles of women in society. A superstar actress travels to a mountain resort, only to evoke jealousy from women and lust from men. A woman offers to take an injured man to the hospital. A widowed father and his son seek for a new wife/mother. A man seeks revenge for a woman's honor. A bored housewife tries to explain to her husband that he's not as romantic as he used to be.

The Witches

1967
The Stranger
6.8

Meursault is a man who feels utterly isolated from everyone and everything around him. This alienation results in sudden, inexplicable bursts of violence, culminating in murder.

The Stranger

1967
A Bullet for the General
6.6

El Chuncho's bandits rob arms from a train, intending to sell the weapons to Elias' revolutionaries. They are helped by one of the passengers, Bill Tate, and allow him to join them, unware of his true intentions.

A Bullet for the General

1967
Conversation Piece
7.3

A retired professor of American origin lives a solitary life in a luxurious palazzo in Rome. He is confronted by a vulgar Italian marchesa and her lover, her daughter and her daughter's boyfriend, and forced to rent to them an apartment on the upper floor of his palazzo. From this point on his quiet routine is turned into chaos by his tenants' machinations, and everybody's life takes an unexpected but inevitable turn.

Conversation Piece

1974
Tante scuse
6.8

No description available.

Tante scuse

1974
Navajo Joe
6.2

The sole survivor of a bloody massacre vows revenge on his attackers and on the men who killed his wife.

Navajo Joe

1966
When Women Were Called Virgins
5.6

When women were called Madonna is a film of 1972 directed by Aldo Grimaldi . The film is one of the first Italian erotic comedies in which a licentious bursting Edwige Fenech struggles with the nagging demands of three suitors.

When Women Were Called Virgins

1972
Flavia the Heretic
6.0

Puglia, southern Italy, around 1400. A convent is invaded by the Tarantula cult, whose fanatical and crazed members desecrate the sacred place by committing obscene and bloody acts.

Flavia the Heretic

1974
Shoot Loud, Louder... I Don't Understand
5.9

Stuck in a dream world of his own, Italian sculptor Albert Saporito, sometimes has difficulty separating truth from fiction. When he dreams that his gangster neighbor has been murdered, he reports the crime to the police, only to involve himself in a complicated situation.

Shoot Loud, Louder... I Don't Understand

1966
Yankee
5.6

A man known only as 'Yankee' rides into a dying, desolate frontier New Mexico town completely controlled by 'The Grand Cougar', setting off a chain of events where dominance is the prize.

Yankee

1966
Bandidos
6.8

Renowned gunman Richard Martin is traveling on a train, held up by Billy Kane, a former student of Martin's. Kane spares Martin, but only after shooting his hands. Years later, Martin meets an escaped convict, wrongly convicted for the train robbery. Martin trains his new student and both men seek out Billy Kane.

Bandidos

1967
Arizona Colt
6.5

Arizona Colt heads for Blackstone City where Gordon is planning a robbery. When one of Gordon's henchmen murders a saloon girl, Arizona offers to hunt down the killer.

Arizona Colt

1966
Free Hand for a Tough Cop
6.8

A cop recruits a criminal and his cohorts to help track down a violent crime lord who has kidnapped the ill daughter of a rich family.

Free Hand for a Tough Cop

1976
Naked You Die
5.6

A woman is strangled in the bath by a black-gloved killer who disposes of her body in a large trunk. The trunk is delivered to St. Hilda College, an exclusive finishing school. Betty-Anne, one of the female students, is strangled in the school cellar. The police, led by Inspector Durand, are called in to investigate. Suspects include La Floret, the voyeuristic gardener; Di Brazzi, the new swimming instructor; Mrs. Clay, the summer school French mistress; an old professor who collects birds; and a philandering young teacher called Richard. The murders continue but Jill, a keen amateur detective, helps the police identify the unlikely killer...

Naked You Die

1968
Johnny Colt
6.6

Starblack is a hero who dresses in black and his face is covered by a black scarf and he carries in his shirt a black star, which he always leaves at the scene of his enterprises, as a symbol of justice.

Johnny Colt

1966