Julien Féret

Merab, a devoted dancer, has been training for years with his partner Mary for a spot in the National Georgian Ensemble. The arrival of another male dancer, Irakli, sparks both an intense rivalry and romantic desire that may cause Merab to risk his future in dance as well as his relationships.

A re-imagined account of the early life of Maria Anna 'Nannerl' Mozart, five years older than Wolfgang and a musical prodigy in her own right.

This tale of childhood and adolescence is told through brief sequences that take place in the life of a modest family from the Pas-de-Calais region during the forties, fifties and sixties. Paul, the main character, who we meet when he’s 5, 13 and 18, is the throughline of this tale told in a fragmentary way well adapted to the scattered nature of memories.

A hired labourer, Joseph, works on a farm inhabited by Monique, a war widow, and Jeanne, her captivating daughter who longs to escape to the big city.

Rue du retrait is a film which is quite unique to René Féret for various reasons.Firstly,it is a film which he shot in his own area,near his own house.Rue de retrait is the name of the street in 20th arrondissement in Paris where Mr.Féret stays.So in a way the location afforded a lot of familiarity in terms of location to the cinéaste. Secondly,the making of this film will always remain a miracle of sorts for René Féret as no big production house was willing to finance such a brave,absolutely uncommon film in France.So this film was finally made due to René Féret's personal intervention and highly individual efforts. Its visual style was applauded by a great French filmmaker named Bertrand Tavernier who has long been one of René Féret's admirers.

A young itinerant photographer and his assistant suggest to Tibetan nomads to photograph them in front of various background.

Paris, in a bourgeois apartment, Lumina, an ageless Vietnamese woman, dreams of another life.

A Chinese couple visits the daughter they gave up for adoption 30 years ago.

No description available.

Explores the expression of Tango's Africanness and the contribution of African cultures in the creation of the tango. Tango was a reflection of the social life of the slaves that were taken to South America - including Argentina and Uruguay - mostly from central Africa, particularly from the former Kongo Kingdom. Director Dom Pedro reveals the depth of the footprints of the African music on the tango, through this rich movie combining musical performances and interviews from many tango fans and historians in Latin America and Europe, including the renowned Argentinean pianist Juan Carlos Caceres.

No description available.