László Ranódy

Aunt Ilka, who likes company, opens her house standing in the middle of a six-acre rose garden in the little town for the golden youth of the town. As a result of her benevolence, the tenants are in the position to adore not only the roses but a nice bunch of to-be-married girls of the town.

Nagy István, the formerly poor peasant boy returns to his native village as a teacher. His conviction is that the abyss between rich and poor can be diminished by good will. The rich Böröcz Horváth Klári returns his love, and also Böröcz Horváth is willing to help the poorest family, the Bakos. Bakos Jóska, who was sent to serve the tough Böröcz Horváth as a payment, dies of an infected wound and the people in the village hold the teacher liable as well. Nagy István realises, that the abyss cannot be ceased, what is more, it is impassable. He breaks up with his fiancée and stands by the side of the poor.

An orphan girl suffers abuse from her adoptive parents.

A young peasant boy stands up to tyranny, aided by his trusting friend- a goose.

1922. Sándor serves as a farm-hand, but would like to become a blacksmith. He is completely enchanted by the beautiful wife of his new master.

The top management of the co-operative in the rural community at Lake Balaton goes on coaches everywhere to irritate Mrs. Peczöli, the snobbish wife of the only individual farmer. Peczöli would readily join the co-operative, should it not oppose his apple improving experiments.

Miklós is a young, talented and thoughtful architect who is all about his work. He doesn't loiter or run after women, but he is also eager to have a happy family. When it comes to building a new villa, he falls madly in love with the future owner, Klara. She is also attracted to him, but Klara is already a bride and can't decide what she wants. In this impossible situation, Miklós seeks solace in a singer, Lola, despite his love for Klárit. Lola feels this too, and wants to attract him by any means possible...

The film is put at the beginning of the century in Sárszeg, following the humiliation and collapse of a high-school teacher.

Locations of László Ranódy’s film Pacsirta (Skylark) appear in the experimental etude, in János Tóth’s extreme, distorted, wide-angle footage, image associations.

Life is on in the old house of Vizváros. Kids play on the ground. The adopted son of the janitor, Matyi, is hopelessly in love with Juli. He would like to emigrate to America with her. She prefers Janó, the driver, a great womaniser.

A moving story of a bright and sensitive schoolboy growing up in an old, established boarding school in the city of Debrecen in eastern Hungary.

March 15, 1848; the revolution breaks out in the town of Pest. Yet at café Pilvax, in among he revolutionary youth, there is the informer of the imperial court as well. Hearing the news of the attack led by Jellasics, the inhabitants of the villages pour into the national army, and Hajdú Gyurka also escapes from his landlord. Petőfi is there at the camp of the revolutionaries, raising them to enthusiasm with his poetry.

Based on a novel by Dezso Kosztolani, this Hungarian drama is set at the turn of the 20th century. A young, homely woman lives at home with her mother and retired father. Because of all the care the girl provides for her parents, the couple becomes detached from the world outside their home. When the girl leaves for a short visit to her uncle's home, the parents realize the extent of their separation from society and their selfish feelings toward their own daughter.

The director has intertwined an old amateur film, shot about the Kosztolányi-family, with the adaptation of three short stories of the author. Just like the actors of the amateur film, the main characters of the three short stories are making desperate attempts to appear easy-going and self confident in the eyes of the world. In the hero of Key, the father who at home appears to be an unapproachable, important person, is suddenly revealed to be an insignificant and humiliated office clerk before his son. In Bathing, it is the severe, "tough guy" father who does not know himself and is therefore depressed and causes an irredeemable, tragic accident. In China Vase, the important guest invited with great reverence breaks into pieces the only treasure of the poor clerk couple with a nonchalant gesture. Yet, there is hope: after many years, the woman tells the mystically enlarged story with appropriate self-irony.