Lighting
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High school teacher Cheng looks back to his repressed childhood memories, as he finds an anonymous suicide note in the classroom. He strives hard to prevent another tragedy from happening, meanwhile facing a series of family problems, his wife is divorcing him, and his father is dying.
A fortune teller fails to help a prostitute who is facing a deadly calamity. When he meets a young boss of a tea restaurant, he predicts that his bloodthirsty tendencies will lead him to a prison sentence for murder.
The poignant drama centers on Mr. Chan, a passionate secondary school teacher dedicated to students with special educational needs (SEN). Adapting the approach of inclusive education by placing SEN students in mainstream schools, Mr. Chan's unwavering dedication is challenged by those around him including the largely indifferent principal who scoffed at the name of the symptoms, the vice-principal who is more a deal maker than an educator, fellow bullying students and the parents who face numerous hurdles with strength derived solely from their enduring motherly love. An unflinching look of Mr. Chan's and the mother of a SEN student raise the question: how to care for the SEN students without leaving them high and dry?
When Hong Kong is rocked by multiple gruesome murders, the police forms a task force to investigate.
After his negligence causes an innocent woman to go to jail, a lawyer and his colleagues work to clear her name.
Music is the common language that draws people together. Johann Bach’s Goldberg Variations brings the two lonely and unrelated people in the film - an inconspicuous mid-aged man Joe and a once popular actress Shu closer. A subtle and occasional encounter takes place in the remote country side where Joe is the night shift storekeeper and Shu goes to the area for shooting. When Joe plays this particular work of Bach, Shu is touched and shares with him her miserable life experiences. He feels that there is a bonding between them until he attempts to explore more into this illusive “relationship”.
To big brother Steve, nothing is more satisfying than dining with his two younger half-siblings. But when his old flame shows up as his brother's girlfriend, kitchen nightmare strikes and it's up to his part-time girlfriend to simmer down the situation.
Pak-kiu works as a gaffer while waiting for his first break in front of the camera. An inviting target of ridicule, he remains unwavering that he will rise above the sordid realities of the glamorous world of film-making with his determination to be a proper actor rather than a star. So when he is offered a bit part as a cancer patient in a new film, he jumps at the chance to practise method acting, literally getting into his character and inhabiting him through claiming membership of a support group, which reunites him with an old classmate. However, the reunion, shrouded in a façade of altruistic motive, leaves him ill-prepared for a role in real life that is not so easily dismissed as a character in the script...
A fractured family of four brothers and one sister confront haunting memories of their mother’s passing fifteen years ago. Fifteen years had passed, as Nicole (Summer Chan) returns home to Hong Kong to be reunited with her three brothers, clinging to the shattered memory from the night of her mother’s passing. Through hypnosis sessions with her big brother Joseph (Simon Yam), the trauma that the family sustained is unexpectedly reawakened when she desires to connect back with the memories. Then, the whole world around this family takes on a dark form and love becomes almost undefinable.
Mrs. Ho, a senile and distraught widow, lives by herself in a walk-up building. For more than half a century, Mrs. Ho has been living in her flat since she was married. But, after an accident, her legs went lame. Her son keeps persuading her to sell the flat and move into a building with lifts. She refuses and she wants to hold onto the flat, her only contact with her dead husband, where they used to do tap-dance together. Of course, they weren’t Fred Astaire and Ginger Rogers but, the film makes touchingly clear, we need to listen to rhythm of their dance. More importantly, Mrs. Ho’s perseverance and strength recall the portrayal of another old woman – Ella Garth (Jo Van Fleet) in Elia Kazan’s masterpiece Wild River (1960).
Luggage? Check. Travel document? Check. Keys? Check. The Year is 2040 and Ching is all set to embark on a mission to track the whereabouts of a dog and its owners which will transport her back in time before she was even born. In 2013, an age of mobile phones and Google Maps, the time-traveller meets a painter and piques his curiosity to join in her quest. Can she reach the parents she never had the chance to get to know and will he find a purpose in life after tempting fate and death? Will the mementos of their brief encounter – a painting that crystallises the artist’s feelings for her and a keepsake pendant that has been passed down for generations – survive the time and reconnect the two?
A phone call takes two young men a trip down the memory lane. Two boys and one girl, a classic teenage love triangle. Being best friends, Chung has always been the humble guardian angel for the young couple Yao and Shan. “My virginity will only be dedicated to the one I love” is the motto of Chung. The three remains close friends when they grow up, until the death of Shan breaks the harmonious relationship among them.
A photographer, Chi-Shing is entangled with a "woman in red", leading to the deaths of his relatives one by one. When the girl he likes, Sze Tung, also died mysteriously, Chi Shing vows to find out the truth but ends up revealing the secret of a "ghost marriage".
Ms Chan, a social worker who has just returned to work, receives her first case. She pays a visit to Jia, a single elderly who seems to have accidentally dialled the Care-on-Call Service. Jia has suspicious bruises on his face and Ms. Chan senses a possible family abuse situation. However, Jia’s attitude is unwelcoming and he sends her off right away. Since then, a series of peculiar events make Ms. Chan question her own sense of reality and sanity.
