K. A. Thangavelu

A fisherman who is in love with a woman in his village is presumed dead after he fails to return from sea on one of his trips.

Ramu is an innocent son of a rich landlord who is afraid of his brother-in-law Narendran and his whiplash. To escape from his punishments, Ramu leaves his house and his look-alike replaces him. Enga Veettu Pillai is a remake of NTR’s Ramudu Bheemudu 1963 Telugu movie. Both are directed by same director Tapi Chanakya

Rangan is a servant at the house of Nagalingam, a rich and ruthless man. While he strives to fight against his employer's misdeeds, the latter's sister falls in love with him.

A conspiring uncle separates the twin sons of his sister, the queen. One becomes his uncle's pawn while the other grows to be a brave and honest man, who inadvertently learns of his true parentage.

Believing his wife to be dead, a soldier in the British-Indian army marries another woman and moves on. After few years, he finds out that his ex-wife is still alive and feels miserable.

Kamala, a shy child bride, who was widowed soon after marriage, is inseparable from Radha, a vivacious college-going young woman. When Radha meets dashing fellow student, Sundar, the trio's lives change drastically

No description available.

Amara Deepam is a Tamil film is directed by T. Prakash Rao released in 1956. A educated unemployed person Ashok (Sivaji Ganesan) falls in love with athe daughter Aruna (Savitri) of an wealthy Industrialist.Aruna is taken hostage by her husband to be Sukumar (M.N. Nambiar), and while Ashok trails them to save Aruna, Ashok loses his memory in an accident. Ashok Meets Roopa (Padmini) and they begin to like each other. Sometime later Aruna comes back and as Ashok fails to recognize Aruna things look complicated.The rest of the film deals with how Ashok struggles with his memory and how both Aruna and Roopa try to win him over. The Udhavi Thayaripalar(Co-Producer)-- L.S.Mani

Desperate for work, an educated youth pretends to be a gardener. Later, he falls in love with his employer's daughter while his family wants him to marry someone else.

Thanabakkiam and her daughter Sundhari are forced to leave the village after Sundharam grabs their land and house. Later, Sundhari becomes friends with Kanagu when her mother saves his life.

A classical bharatanatyam dancer and a nathaswaram player fall in love against the wishes of her family.

Thirumbi Paar, directed by T. R. Sundaram, was an interesting film in which Sivaji Ganesan played a role with negative shades. The character dabbles in avenues such as journalism and politics. T. P. Muthulakshmi plays the dumb wife of an elderly husband (K. A. Thangavelu) who goes to work early. Sivaji Ganesan, a seducer, who sneaks into the dumb woman’s house, alters the clock to send the husband away well before the usual time. This sequence was mercilessly scissored by the censors and what was left lost its touch of satire and innuendo!

The film is based on two couples – where the first couple Dr. Chandra Shekar (Gemini Ganesan) & Parvathi (Anjali Devi) and the second couple is Ravi (A. Nageswara Rao) & Lakshmi (Savitri). Ravi & Lakshmi are happy lovers. Ravi is summoned and asked to marry another girl forcibly. Since his father's life & honor are at stake, Ravi agrees to the marriage. Simultaneously another marriage takes place in the same village Dr. Chandra Shekar visits his best friend's sister marriage but the marriage cancels in the last moment due to dowry problems to keep up his friend's prestige Shekar marriage's his sister called Parvathi. Due to sudden marriage, the couple doesn't see each other. Thereby because marriage is happening without his wish Ravi also not seen the bride's face. Both the bridal parties traveling on the same train which run into a disastrous accident. In the accident Ravi's parents and wife are dead.

No description available.

Panam (English: Money) is a 1952 Indian Tamil-language film, directed by N. S. Krishnan. The film stars Sivaji Ganesan, Padmini, N. S. Krishnan and T. A. Mathuram in lead roles. The film had musical score by Viswanathan–Ramamoorthy

Manjal Mahimai (English: Power of Turmeric) is a 1959 Tamil language drama film, produced by D. Madhusudhana Rao under Annapurna Pictures and directed by Adurthi Subba Rao. Starring Akkineni Nageswara Rao, Savitri in the laed roles and music composed by Master Venu. The film is based on Aasapoorna Devi's Bengali novel Agni Pariksha which was first remade as Telugu movie Mangalya Balam (1958); both the movies are made simultaneously by same banner & director and some of the scenes & artists are same in both versions. It was later remade as Hindi movie Chhoti Si Mulaqat (1967) with slight changes, starring Uttam Kumar, Vyjayanthimala in pivotal roles

Nirmala (Padmini) is a poor but talented young dancer who falls in love with a rich man's son Sekar (Gemini Ganesan), but he is forced to marry a rich man's daughter Prathiba (Tambaram Lalitha). Nirmala promises to her lover that she will never dance in public. Due to various circumstances, Sekar's house is up for auction, and in order to save him, she performs in public. With the money thus earned, she saves his house, but Sekar is unaware of this. When he learns the truth, he begins searching of her, and in the meantime, Prathiba, who is now reformed, commits suicide. Sekar meets Nirmala, who is on the verge of committing suicide, and they are reunited.

Two siblings, Rajasekharan and Radha, become orphans when they lose their mother at a young age. Things take a turn when Rajasekharan's friend Anand falls in love with Radha.

Naan Kanda Sorgam (transl. My Heaven) is a 1960 Indian Tamil-language comic fantasy film directed and produced by C. Pullaiah. The film stars K. A. Thangavelu and Sowcar Janaki in the lead roles. It is a remake of the 1958 Bengali film Jamalaye Jibanta Manush, and was simultaneously filmed in Telugu as Devanthakudu. The film was released on 12 August 1960 and became a commercial success.

In order to marry Lalitha, Madhan sets out to find suitable bachelors to marry her three beautiful sisters as part of a condition set by her father.