Anaïs Munoz

After the collapse of society, Persé became a ghost town plagued by violence and chaos. Noa, one of the last survivors, tries to escape this urban hell. In a dark alley, she encounters Aaron, a young man shaped by anarchy who seems to take pleasure in hunting her. Very quickly, her flight turns into a descent into a world ruled by fear.

A man recalls his initiation into the mafia. Memories guided by the capo who took him in after an attack and who would guide him until his last breath.

It begins like a perfect everyday life: shared meals, laughter, tender gestures. Small cracks start to appear — a gaze that drifts, a gesture too sharp, a cup falling. Tension slowly rises, almost imperceptibly. Arguments linger, silences grow heavy. Then violence erupts, sudden but silent. The victim hides, tries to call for help, but the aggressor catches them. Time goes on outside: the city moves, neighbors laugh, indifferent. A final jump cut shows the aggressor with another woman in the same apartment — the repetition of inevitability.

After a car accident, a physically disabled man is taken in by unhealthy people.

Tritanomaly, an illness invisible to the world. Within her, blue dissolves and rose blossoms. Then, solitude becomes an inner landscape.

In the 50's, a painter will create a self-portrait capable of containing her soul.