Directing
Everyday, he battles the weather, the authorities, and a society that shows little concern for him. But like a reliable friend, you can count on this honest street vendor to be on that pedestrian bridge everyday, selling an old-school snack that few people eat and even fewer people appreciate. Like a forgotten endangered species struggling to survive in a modernized society, the vendor in the story is just one of the many street vendors in this city hoping that there's still room for a man trying to survive with a small cart.
In the wake of her passing, fans of the late Hong Kong icon Anita Mui strive to save and return a collection of fan-given gifts that are destined for the landfill. As the items find they way back to the original senders, personal stories of friendship and fandom with the superstar begin to emerge.
“Every man has his own destiny: the only imperative is to follow it, to accept it, no matter where it leads him.” Inside an after-hours bowling alley, a counselling session is underway with the attendances discussing the various merits and drawbacks of execution strategies and the prevention of occupational hazards. A man offers to play the flute and all hell breaks loose from there. The weapon is a folded chair, the victims his fellow professionals and the crime is predestined by karma. As the camera lingers on the gory actions, set to offbeat music and at times muted and occurring out-of-frame, a foreboding, dark and somewhat sinister overtone hangs heavy in the air. In a profession such as his, life is predestined by karma and choice is not an option.
Lok has been suffering from mental disorder for many years. Because of the misunderstanding and discrimination of others, he chooses to keep his illness in secret.
She gets up early every morning. She works hard everyday. For her, a day is like a lifetime, but she lives on.
