Erika Biebrach

A sensitive girl is sent to an all-girls boarding school and develops a romantic attachment to one of her teachers.

Rather coarse, pre-War comedy about a Markgraf -- Heinrich XXVI -- who bathes in the springs of the Ammendorf to strengthen his potency. The town and its springs are especially well known for the many couples with lots of children, who, for tax reasons, live there unmarried. The town smithy and bully provides his vitality to ensure the countess has an heir for the throne.

Mutz Hagedorn has just graduated from grammar school, much to the delight of her aunt Jenny, who cares for her like a mother. Then she learns from notary Strohbein that she has inherited the hotel “Zur Jungfrau” from her uncle, it is located on Lake Constance in Üttlisborn. On the way there, she meets the winsome Konrad on the train. Both have the same destination, only at the train station, their paths split. When she then stands before “her” hotel, she’s appalled. The “Jungfrau” is an old, dilapidated eyesore, because people with taste put up at the “Mönch”, which is owned by the Leitner family. Both families have been at odds with each other for years. Then, Mutz learns from Konrad that he as well is a Leitner and the owner of the “Mönch”. Now, she wants to be victorious, win the trial once and for all. Konrad accepts the challenge. Firstly, the “Jungfrau” is turned into a modern hotel in no time.

The bored heir to a soap factory is able through pure chance to work incognito in the 153rd branch of the business. While doing so, he falls in love with a beautiful customer, gets into a rivalry with a jealous worker and helps to expose a dishonest boss.

Literary adaptation about the need for the new Germany to have more children.

a movie by Heinz Paul

An entire neighborhood is in an uproar because the Maier family is keeping their prize-winning rooster, Otto, on the balcony of their apartment. And now, every morning, the rooster is waking up the entire street with its dawn greeting. Thus, the neighborhood comes up with a plan to convince the Maiers to find a new place for the rooster to live (preferably amidst a bed of potatoes and onions). The Maiers, however, aren't so enthusiastic about this plan and strictly refuse to take the rooster off the balcony. Is it thus any surprise that the next morning, Otto is found dead in his cage ... and has apparently been *gasp* murdered?!?