Acting
In the wake of her mother's tragic death, French teenager Junie transfers to a different high school. Though Junie lives mostly inside her own head, her beauty and stoicism win her the attention of the entire male student population. Junie begins dating the gentle Otto Cleves, but finds herself intensely drawn to her youthful Italian language teacher, Nemours. When Nemours begins to reciprocate, serious complications ensue.
When 21 year-old Leo, the oldest of four brothers, announces to his rural French family that he's HIV positive, his family quickly rallies around him. Leo travels to Paris with his youngst brother Marcel for treatment. When Leo tries to push his brother away to protect him, the love and loyalty of the two brothers is tested.
Sophie is far from being the model little girl one would like her to be, unlike her friends Camille and Madeleine. She always insists on having her own way, often getting into trouble, to the despair of one and all. But her mother is unbending and otherwise inclined. She will not let her get away with anything, and poor Sophie will often have to live with the consequences of her bad behaviour and learn her lesson.
It's 1832, 22-year-old Raphaël's gambling has driven him to the brink of suicide. As he is about to throw himself in the Seine, a shopkeeper offers him something: a mysterious "skin of sorrow", which will grant all his wishes, but in doing so will shrink his remaining time on earth.
A staging of Jean Racine's play "Iphigénie" by Chloé Dabert.
When Camille's son was killed in a car accident, the devastating loss proved too much for emotionally fragile mother to bear. Now desperately clinging to any reminder of the son she held so close to her heart, Camille becomes increasingly fixated on Frank - the young man who was not only her child's best friend, but the one who was responsible for the tragic accident that took his life as well. At first, Frank is receptive to Camille's advances. It's not long, however, before the pair's scandalous relationship prompts many of Camille's friends to distance themselves from the increasingly unstable woman. Later, as Camille's obsession with Frank turns menacing, the relationship between grief-stricken mother and her guilt-ridden lover begins to take on ominous undertones.
Set in 1973 during the coup d'etat in Chile, Max recalls his encounters in London during World War II with French aviator Antoine, a childhood hero he first met in his native country one morning in 1932 and who initiated him to the wonders of aviation.
After a violent car crash, Marilyn must take care of her man, who suffers from severe head trauma.
Gwen is a teenager living in a small coastal town. Lise is her best friend, a city girl who comes every year with her family to spend the summer. This year things are different though; at first Lise might not come at all, and when she does it is obvious that Gwen grew up faster than she did.
Ever since she broke up with Nigel, Lena soldiers on through life as best she can with her two kids. She valiantly overcomes the obstacles put in her way. But she has yet to confront the worst of them: Her unstoppable family has decided, by any means necessary, to make her happy.
Marco Lopez, a former Neo-Nazi and skinhead, tries to leave his violent, racist and hateful past behind him.
‘Le Ciel de Nantes’ is the film that Christophe Honoré never dared to make. Too painful, no doubt, since it depicts part of his family in a major showdown, where anger and settling of scores alternate with outpourings of tenderness and displays of love.
25 years of the life of Marie, a Parisian party girl, first teenager leaving her mother at 17, then short star of the song, and finally mother of a teenage girl, Esther, who flees as she fled her mother.
Adam is charming, nonchalant and gorgeous, and he likes that girls like him. He's late for class this morning, but he has a good reason – last night was full of alcohol, strangers and music, the kind of night that might drive you to do anything...
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By choosing Victor Hugo for his first major theater production, Christophe Honoré surprises and intrigues. Angelo, tyrant of Padua surprises even more: little staged, this piece is almost incongruous. For him, it is a text whose clarity hides many secret doors and dark and ambiguous dungeons
