Tobias Kremer

No description available.

This American soul-pop group, led by siblings Clyde and Gracie Lawrence, has appeared on Jimmy Fallon and Kelly Clarkson's television shows. They have shared the stage with the Rolling Stones, the Jonas Brothers and Vulfpeck, and have performed at major festivals such as Coachella and Bonnaroo.

Los Angeles based singer-songwriter Dylan Chambers performs at the Leverkusener Jazztage festival in Germany and brings all his charm and emotion to the stage.

At the Leverkusen Jazz Festival, Alma Naidu performs on the piano- her favourite instrument- accompanied by a string quartet.

With ‘Living Being IV: Time Reflexion’, Vincent Peirani and his quintet have created an album deeply rooted in a reflection on our times. During the first lockdown, the accordionist took advantage of this enforced break to reflect on the impact of time on our existence and our view of the world.

Conventional is not an option for her. It has to be special. And free. Freedom is the foundation of Emily's songwriting, which recently made her known nationwide—as a resident artist in her hometown and the face of the city of Leverkusen's new pop music promotion program.

In 1992, his first album Blufunk Is a Fact propelled him onto the international scene, carried by the global hit ‘Rhythm Is Love’. Over the course of his six studio albums, he added memorable tracks such as ‘Where Is Life’, ‘A Million Miles From Home’ and ‘Beautiful Emilie’ to his repertoire.

Rapturous Apollo Helios, aka R.A.H., has established himself as one of the most notable rappers, songwriters and singers in the German capital. He draws inspiration from his Nigerian roots and Afro-descendant music, ranging from hip hop to soul and Afrobeat. In Leverkusen, he takes to the stage alongside the Ruffcats.

His performance with the WDR Big Band at the Leverkusen Jazz Days is a premiere and an absolute highlight, with which the Leverkusen Jazz Days 2025 will open their festival.

Kokoroko was formed in 2014 by trumpeter and bugle player Sheila Maurice-Grey. During a trip to Kenya, the musician realised that the Afrobeat she grew up with in England had little in common with the sounds of the genre that became popular in Africa in the 1970s. This revelation shaped her musical approach.