John Knight

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners. Jonathan Steed - an urbane, proper gentleman spy - teams with various assistants throughout the series' run, including Dr. David Keel, Cathy Gale, Emma Peel and Tara King, to repeatedly save the world from diabolical schemes plotted by equally diabolical evil-doers (among them robots and man-eating monsters).

On her sixteenth birthday, Sabrina Spellman discovers she has magical powers. She lives with her 600-year-old aunts Hilda and Zelda as well as talking cat Salem in the fictional town of Westbridge, Massachusetts.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".

Out of This World is a British science fiction anthology television series made by ABC Television and broadcast in 1962. A spin-off from the popular anthology series Armchair Theatre, each episode is introduced by actor Boris Karloff. Many episodes are adaptations of stories by sci-fi writers including Isaac Asimov, Philip K. Dick and Clifford D. Simak. The series is generally seen as a precursor to the BBC science fiction anthology Out of the Unknown.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

Kidnapped by Intel representative Kaufman, John Fleming—along with Professor Madeleine Dawnay and Andromeda, the artificially constructed female humanoid—are brought to Azaran, a small Middle Eastern country. Upon arrival, the group discover a duplicate of Fleming's machine has been built by Intel. After many dangers, Fleming finds both the reason for the original message having been sent and the means to bring the machine under human control.

A group of friends are pursued by a sinister force after rescuing an abandoned child.

Lancashire newlyweds Violet and Arthur Fitton are forced to postpone their honeymoon and move in temporarily with his parents.

A wealthy young layabout tries to double cross the master-crook who has engaged him to do a job.

Bill Mason imparts his affection for the big northern timber wolves and the pure-white Arctic wolves. Filmed over three years in the Northwest Territories, British Columbia, the High Arctic and his home near the Gatineau Hills in Quebec, Mason sets out to dispel the myth of the bloodthirsty wolf. Going beyond the wolf's natural habitat, Mason relocated three young wolves to his own property and was able to film tribal customs, mating and birth - moments in wildlife never before seen on film.