Anali Shakoori

When nature is destroyed and iron and cement grow from the earth instead of trees, the poor animal has no choice but to urbanize. Khatan and Khamar, the two young deer in the story, also sell their homeland, Dasht-e Naz, hoping for a better life, and buy a small apartment in Kelileh and Demneh town.

Twelve stories, one per month, from April to March. They all take place in the same place—inside vehicles—and during the “magic hour.” The characters also experience similar situations: they are hesitating to make an important decision in their lives, a moment that will mark them forever.

Iranian filmed theater. True stories of teenagers who have committed murder.

Iranian filmed theater. An actor is going to meet the hero of his dreams.

“Cinderella Returned from Abroad” is a filmed theatre production rooted in Iranian traditional performance forms, with particular emphasis on Takht-e Howzi and Siah-Bazi. The work adopts a fantastical tone characteristic of these popular theatrical traditions and is designed for audiences aged five and above. The narrative is based on the well-known Cinderella tale, a story that has been retold across cultures in diverse forms—such as the Persian folktale Mah Pishooni. Portions of the dialogue and songs are performed in English, accompanied by simultaneous on-stage translation during the performance. Music plays a central role in the production and is performed live by the actors throughout the show. In addition to acting, the performers engage in live musicianship and vocal performance, integrating singing and instrumental music into the theatrical action.

This Persian filmed theater is the story of a child who, in loneliness, escapes the reality of parental neglect into a world of imagination. This marks the beginning of their imaginative mind's journey into the world of stars, a voyage through dreams.