
Morten Staugaard
Acting
Known For

40-year old political leader Birgitte Nyborg secures her party a landslide victory through her idealism and huge effort, then faces the biggest challenge of her life: how most effectively to use the newly won seats, and how far she is willing to go in order to gain as much influence as possible.
Borgen

Independent, outspoken and adored by her students, private school teacher Rita fares less well with adults.
Rita

Copenhagen thirtysomethings Nikolaj and Julie struggle with marriage, baby and work, plus friends of varying maturity.
Nikolaj and Julie

The last time we met Tinka, she introduced the Collection, where representatives from the four regions of the Kingdom of the Gnomes and a single person together ruled and decided. However, the new form of government does not work as Tinka had hoped, and she has therefore begun to doubt her abilities as the leader of the elves. When Ingi puts Tinka on the trail of a family secret, she and Lasse search for answers in the human world, and here Tinka awaits a surprise that puts the entire existence of the Kingdom of the Elves at risk.
Tinka and the mirror of the soul

Combining the exultant sweep of epic period drama with the subtle intimacy of biography in a social perspective, this is a tale of materially impoverished childhood, struggling early manhood and an unrequited first love turned into good musical fortune for Carl Nielsen, one of the great composers of the 20th century. Based on the composer's autobiography, the film itself is designed to soar like a symphony.
Carl, My Childhood Symphony

Join us for a festive and spectacular revival of Lise Nørgaard's beloved TV series, which unfolds here in a new, lavish, and modern version. For two whole seasons, "Matador Musical" has played to sold-out houses at the Opera House in Copenhagen. In just a few hours, the 85,000 tickets were snapped up, and many were left disappointed. The audience was ecstatic—and the success was a sure thing! And there is really something to look forward to when Danish theater's "happy boy," director Peter Langdal, dazzles us with the familiar Matador universe in a new and modern production that spares no ambition: It doesn't get much more spectacular than this, when the dream team of actors, singers, and dancers are unleashed on the Opera's grand stage in a lively fireworks display, accompanied by Denmark's arguably best band, the Radio Entertainment Orchestra.