Acting
Fearing that her husband might leave her due to her inability to bring a boy to the family, Mrs. Wu declares her tenth daughter her "tenth" son, who is later named Wu Shi Lang. The goal is for Shi Lang to win as many martial arts competitions as possible, as that's all her father seems to care about. Conflicts arise when she finds herself falling for her childhood friend, Li Ya Shou, who is determined to marry the rich. To stop him from marrying the wealthy Lei Xiao Yu, Shi Lang defeats Ya Shou in a martial arts competition. Xiao Yu is greatly impressed and insists on marrying Shi Lang. Things are further complicated when Xiao Yu's brother, Lei Sheng Da, encounters the dress-wearing Shi Lang and falls head over heels for her. Shi Lang realizes she is in deep trouble, so she skips town after telling everyone she is a woman. Sheng Da follows her to the new town. Although Shi Lang and Ya Shou are becoming more than friends, Sheng Da's persistence begins to touch her heart, too.
No description available.
This story is a description of how modern people search for their happiness and self-worth in Taipei City. In order to make a living, a man and a woman applied for a job as Call Man and Call Girl in the same day coincidentally, and they also sat out with the same taxi in that day. More spontaneously, due to various factors, both of them always fail to get clients which produced a lot of funny accidents. Finally, these pitiful and ridiculous "chicken and duck" have an opportunity to break the shackles on their body toward the well-being reality. The film's unique humor in trying to approach the interpretation of the most true humanity.
In the 1970s, Taiwan's first grand cabaret, The Sapphire, opened in Kaohsiung, igniting a golden decade of live entertainment. Beneath its dazzling lights, the nation's tensions and censorship faded in nights of glitz and song.Stars like Teresa Teng, Fei Yu-ching and Fong Fei-fei graced. its stage, where glamour met gambling, drugs, and danger.Half a century later, The Sapphire is resurrected—through AI and music—to relive its untamed brilliance.
A group of aimless Taipei residents deal with their personal problems in this Taiwanese drama that does feature brief flashes of black humor. Much of the story centers upon lonely Mrs. Chen who has trouble coping with her philandering husband, and nearly senile mother-in-law. Her daughter frequently sulks and has a desperate crush on one of her teachers. Mrs. Chen's only friend is her co-worker Liu, who has fallen for a new office boy, Chou. Mrs. Chen also finds him attractive. Unfortunately for either woman, Chou is gay and plagued with problems of his own.
Taiwanese horror anthology film.
This is a four-part anthology comedy. The themes of four parts are: car, house, body and friendship. The central characters are a plastic surgeon Chen, a nurse, an experienced maid, three energetic teenagers and a young couple. The stingy surgeon Chen treats a car and a man so differently that he could be a perfect example to show how treasonously modern people treat their cars and how indifferently they treat other people. The maid Ying is like a knight on her "iron horse" (a bicycle), fighting in the city. Every day she rushes home after work to wait up for a husband never returns. The new nurse has problem with her colleague because they support different idle. What she also doesn't know is the reason why her brother's girlfriend sends her free lunchbox so often. The truth is that her brother's girlfriend wants to get plastic surgery in the clinic. Almost everyone here is not satisfied with his/her body. Moreover, they try to change their body with quite violent ways.
