Chikako Hosokawa

The 8th NHK Asadora. Starring Yumiko Fujita in a family drama. The first Asadora filmed in color.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.

Tokyo engineer Kariya arrives on a primitive tropical island, where he interacts with the Futori clan, to drill a well to power a sugar mill.

This rarely seen gem from master Suzuki casts teenage heartthrob Koji Wada as a young misfit who suddenly finds himself the unwitting pawn in an escalating family feud that ultimately leads to tragedy. Lean, mean, and stylish as always, this tale of youth-gone-wild is both vibrant and touching. Suzuki contrasts tranquil glimpses of traditional regional life with the emergence of the new rock 'n' roll youth culture and the greed and seething cynicism of encroaching Westernism. Also released under the title "Go To Hell, Hoodlums!", this is a melodrama as colorful, shocking, and exhilarating as one would come to expect from Japan's master filmmaker.

An Indian prince leaves his world of comfort and riches behind to wander and meditate for six years in search of spiritual enlightenment. Siddartha (Cojoin Hong) turns his back on the old religion when people are starving needlessly and holy rituals include human sacrifices. During his meditations, he is tempted by erotic dancing women, demons, and the evil machinations of his criminal cousin. Devastate to attain the spiritual perfection and become the Buddha. He travels to convert followers by his kindness and wisdom, gaining a multitude of believers when he stops an elephant from crushing a local priest. Buddha of course goes on to become one of the great religious leaders of the world.

What is the life of a Geisha like once her beauty has faded and she has retired? Kin has saved, and become a wealthy money-lender, spending her days coldly collecting debts. Even her best friends, fellow Geisha Tomi, Nobu, and Tamae, are now indebted to her. For all of them, the glamour of their young lives has passed; Tomi and Tamae have disappointing children. Kin has two former lovers who still pursue her; one she wants to see, and the other she doesn't. But even the one she remembers fondly, when he shows up, proves less than satisfactory.

After witnessing a murder, a married woman and a student agree not to meet and see each other out of fear of exposing their affair.

Shows the devastation caused by the atomic bomb, and by use of a fictional storyline, portrays the struggle of the ordinary Japanese people in dealing with the aftermath.

In order to pay back Mrs. Kajiki for her good deed in the past, Hatsu moves from her village in Akita to Tokyo to start working as a maid for her family. She grows close to their youngest son Katsumi, experiencing things that will change her view on life.

A Hiromichi Horikawa movie

Not too long ago, Soichiro was considered one of the most powerful men in business. But his business had failed, his granddaughter had committed suicide. There was nothing in his life anymore that he could look forward to. Sochiro was ready to put an to it end to all. As he drives down the Usui Pass, headed toward his summer house in Karuizawa, a girl in red heels, wearing nothing else but a coat jumps in front of the car.

Jiro, a young yakuza, and Mami, a diplomat’s daughter, are two young lovers from different worlds. Having met by accident, they soon discover a new life together. But their love is ill-fated. Mami's family will not accept her choice, while leading an honest life seems like an unattainable goal for Jiro. Can there be anything else but a tragic ending?

[Period covered: 1595-1600] We last saw ninja Ishikawa Goemon, as he was about to be boiled alive. But a good ninja is both hard to find, and even harder to kill. With the help of the enigmatic Hattori Hanzo, Goemon lives to skulk another day, and sets his sights on bringing down the warlord who tried to turn him into soup – Toyotomi Hideyoshi. And as always, in the background, the suble hand of Tokugawa Ieyasu is pulling strings as he plots to rule all of Japan!

The shogun's vassal Harima Aoyama and a chamber maid are in love with each other, but they cannot be together due to a difference of their status. Soon, an offer of marriage is brought to Harima. Trying to test his love, Okiku breaks one of the plates of the family treasure of the Aoyama family, but Harima doesn't notice. However, someone surrounding her witnesses the moment Okiku breaks the plate on purpose.

Based on Kakuko Mori's autobiography, about her life and retirement from acting due to her increasing blindness.

Asada Keiko and Kurokawa Saburo are two young college students. When Keiko visits Saburo's house, she meets his father Kokichi and his mother Motoko. Motoko is a famous hair dresser, who openly flaunts her lover. When Kokichi and Motoko fight, which they do a lot, he routinely threatens to leave but never quite does. A relationship develops between Saburo and Keiko, but Saburo is shaken when his mother tells Keiko the truth about Saburo's past and the secret of his birth.

The story follows Oshino, a geisha who is trying to start a new life with a lover who is a painter. However, her past filled with debts and pimps catches up to her.

The love story between a traveling guest and a geisha who inadvertently becomes the leader of her father's yakuza clan, after his death.

Ginko, a poor cobbler's daughter, becomes a geisha to support her family. She passes from one geisha house to the next, trying to find love and hope in the process. No matter how hard she tries, she just can't escape her sad fate.

Shikiko Oba is nimble with her fingers and teaches dressmaking and designing. Among her pupils are Rinko, Katsumi and Tomie. Ginshiro, who is as shrewd as the shrewdest of the older generation of dyed-in-the-wool Osaka businessmen, steps into picture and Shikiko soon feels that he is indispensable to her. But the advent of a man in their midst breaks up the harmony that has existed among the four women, as gradually he forces himself on them with promises of love.