Alan Ho Ka-Ho

Divorced café owner Kayan lives with her daughter Tung. Her life is renewed after meeting her lesbian partner Shuting who becomes part of the loving family. When Kayan dies in a tragic car accident, the grieving Shuting wants to continue taking care of Tung but encounters strong opposition from Kayan’s mother. At Kayan’s funeral, due to social norms and taboos, Shuting is completely side-lined and stripped of the privilege to bid farewell to the love of her life. She faces yet another dilemma, having to make the decision to do what is best for Tung.

Aging is not all doom and gloom but can be super-duper fun. In a village far, far away from the city live a zany group of elderlies. Old Chap is a Chinese medicine doctor without a single patient, lascivious Old Ben is wheelchair-bound and confined in the village, while Moses the spiritual “flower child” always tries to connect with Mother Nature. When Chiara, Old Chap's granddaughter, appears suddenly as she decides to take a gap year from studying and turns Old Chap’s life upside down by putting on a pole dance show in his clinic, how will Old Chap reconcile with the shock of the new?

Love is a long road with moments of separation and reunion. Even an experienced driver must remember safety first and keep the clutch in check to avoid repeating the same mistakes in love. CHAN, a middle-aged man with several different types of driver’s license, is dissatisfied with young hearse driver Zi-ling’s driving skills, so he takes over the position. Two people who lost their better halves embark on a journey of life and death, healing, guilt, and letting go. The film depicts this road trip romance through a series of analogies related to modes of transportation, filling the screen with scenery on the roads of Hong Kong. The film, with its ambitious production scale, also charts the social changes of Hong Kong since the turn of the century.