Lucien Frégis

Les Cinq Dernieres Minutes is a crime based French television series

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Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.

Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot's sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.

The umpteenth adaptation of Dumas' novel finds d'Artagnan and his friends promoting the love affairs of Anne of Austria and the Duke of Buckingham, incurring the wrath of the Cardinal and exposing themselves to the cold cruelty of Milady de Winter. Also featured are the tender Mme Bonacieux, the hilarious Planchet, the Queen's ferrets and Bethune's executioner, against a backdrop of clanging swords.

Adrien Chautard, a major industrialist from Abidjan, has been chosen to replace an expert on the official Ivory Coast delegation sent to Paris to discuss the country's association with the Common Market. Chautard is delighted at the prospect of this trip, where he will be reunited with the woman of his dreams: Elisabeth. Alas, at Abidjan airport, a nasty surprise awaits him: Berthe, his lawful wife, has decided to leave with him to consult a leading cardiologist in the capital.

The film consists of three novels. The film begins with the fact that the Bernard Blier hero removes a lantern from the entrance to a brothel. The second part is about how the lantern and jewelery were stolen from a young baroness. And in the third part the hero of Louis de Funes hangs a lantern at the entrance to his house.

The day he is released from jail, Serge is expected by four killers sent by Count Charles Varèse assigned to make him confess where he has hidden the jewels stolen during his last stickup. On the other hand the police inspector who arrested him offers him protection on condition he gives him the same piece of information. Serge refuses and is about to be tortured by Varèse's henchmen when Michel, a friendly hood, comes to his rescue. His friendship will result in... a heap of corpses! —Guy Bellinger

The Marquis Rodolphe de Sombrueil accidentally runs over a working man with his carriage and helps his widow -- unjustly accused of robbery -- to find her missing daughter.

Léo and Claude, two penniless friends turned con artists, answer matrimonial classified ads to trap women. But one of the friends soon finds his own game turned against him.

During the Second World War, Georges Masse undergoes a dangerous mission by taking secret documents from Tangiers to London.

Léo Fardier is a police inspector who goes to prison undercover as a convict. He shares a cell with Mariani, a Corsican mafioso, whose trust he earns. The day Léo leaves prison, the criminal entrusts him with a letter to deliver to his estranged wife. He finds her, and she falls under his spell. The problem is that he, too, has fallen in love with her.

In France in 1946, the difficult return to civilian life of five deportees and prisoners of war after having lived through the hell of the Second World War.

An honest taxi driver gets into trouble by looking for a customer who left her purse full of cash in her vehicle.

A series of vignettes, in which Noel-Noel appears as the moderator, lecturer, commentator and leading actor, that examine the bores and pests of everyday life much like Pete Smith and Robert Benchley had done for years in American short subjects. Among those are the Practical Joker who will do anything for a laugh; the Party Entertainer who never stops singing; the Talkative Neigbor who forgets the time; the noisy neighbors who dance the tango all night; and women drivers, people who telephone at meal time, the friend you never saw before and amatuer medical experts. Much use of trick photography, montages, puppets and animation along with some adult Gallic wit and gentle satire.

A Parisian reporter tries to exonerate a fugitive neighbor of charges he murdered his wife.

Given up for dead three years ago in a plane crash in the Amazon rainforest, a young woman arrives in Paris to find her eminent ethnologist husband. She learns of his death in obscure circumstances, having remarried in the meantime. She sets out to unravel the mystery surrounding her husband's death.

The Fenouillards (Sophie Desmarets and Jean Richard are the parents, Annie Sinigalia and Marie-José Ruíz are the daughters) are shopkeepers with higher aspirations. The Monsieur wants to run for mayor of their town, but the family acknowledges he has little experience of the real world -- and so they all take off to experience it together. After starting out by getting lost, the family goes through an odyssey that takes them to Brazil, the Antarctic, and Japan in a series of episodic adventures.

Due to financial problems, the boarding-school of Saint-Loup is on the verge of closing its doors. In desperation, Jacquelin, the headmaster, has the idea to invite former students to a fund-raising reunion. Among the alumni, three men whose common point is to have been in love at the time with the headmaster's niece. One is a banker, the second a priest and the last one a globetrotter. All of a sudden, the peace of the assembly is disturbed: Jacquelin's niece has just been murdered.

An off-beat, uneven tale about a man intent on suicide and the three people who try to talk him out of it, Pantalaskas stars American Carl Studer in the title role of the morose, would-be suicide. Set in Paris and taking place over an entire night, the story has a complication in that the trio who want to prevent the suicide do not speak the man's language -- he is Lithuanian and speaks no French. So the protagonists comb the underbelly of a nighttime Paris, looking high and low but mostly low for anyone who speaks Lithuanian. Depending mainly on dialogue for its impact, the verbose drama reveals how the protagonists undergo a transformation as the night wears on.