Directing
Thomas Arslan's second feature film and part of his Berlin trilogy is a slow-paced milieu study of German-Turkish youth in Berlin-Kreuzberg. The film depicts the everyday life, domestic conflicts, dreams, and disappointments of three siblings and their aimless, meandering strolls through the Kreuzberg district.
The paths of Resul, a blind sculptor who served time for murder; Kader, a famous actress; Fazıl Bir, a deranged director who turned into a human bomb in order to force Kader to star in his film; Güngör, a hard-working classical musician; and Muhtar, Güngör's incompetent manager who caused him to become a loser, intersect at a French restaurant called Le Chic , and within 15 minutes, a series of extraordinary events unfold and come to a head.
Jacky (30), who lives in Berlin, falls into a deep void after the death of her mother and losing her job. Unable to succeed in her attempt to commit suicide, she decides to hire a hitman. Unbeknownst to her, she meets Çello (33), the killer assigned to commit murder. Çello and Jacky fall in love with each other. The loving couple decides to go into hiding, but their happiness doesn’t last long. A major confrontation takes place at Madam Bora’s Pissoir Bar.
Can and his girlfriend, Jale, live with their young daughter, Meral, in a tough Turkish neighbourhood of Berlin and barely manage to scrape enough money together for their existence. Can is a small-time dealer and errand-boy for drug boss Hakan, who has to keep his customers supplied within his narrowly staked out territory. Jale, who works in the ware-house of a department store, has been pressing Can to give up this activity. Can, also fed up with his situation, sees a bright new beginning for himself and his family when Hakan offers him the prospective chance to run a bar on his very own. But Can has little control over the pressures that gradually begin to build up around him and soon finds himself floundering in quicksand.
On the evening of their arrival in the Swabian province, which has been touted to them as the "promised land of work," three young Turks, Erol, Mehmet, and Ümmet, arrive at a migrant workers' bar. There they meet the charming Lena, who lives in the apartment across from them and shows them to their lodgings. In their room, they find a milk bottle with a large pig on it. Do Germans really drink pig's milk? Without any knowledge of German, it proves extremely difficult to verify Ümmet's grim premonition.
Berlin Kreuzberg: Veit Bischoff keeps his head above water with a dry-cleaning business and reluctantly looks after his mentally disturbed mother on the side. His dreary everyday life is only brightened up a little by his flirtation with the cashier from the betting shop opposite. In an environment where violence, drugs and crooked deals are the order of the day, Veit dreams of emigrating to Australia.
Danger and Kaspar are graffiti artists who have each been ejected from their respective crews. They decide to work on a project in honor of one of their deceased brethren.
A documentary about the integration and lifestyle of Turks who immigrated to Germany, especially young people, who are defined as the third generation today. The film contains a wide range of perspectives ranging from hip hop artists to businessmen, retired workers to film directors.
