Adoniran Barbosa

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

Twin sisters with contrasting personalities, Ruth and Raquel, rival in the fictional Pontal D'Areia, on the coast of Rio de Janeiro.

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Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.

A psychiatrist experiments on four volunteers with LSD to examine '60s drug culture, soon unleashing an expert in depravity.

Man finds a job as a dog catcher, but feels sorry for the animals and sets them free.

A small town is invaded by bandits who kidnap a rich man's daughter and other young girls. A group of rescuers is assembled, but three of the town's most fearful residents decide to transform into the funniest three musketeers in cinematic history.

Eva is a beautiful model who’s hired to star in a campaign to sell a marvelous new product: the male contraceptive pill. But it isn't easy to win the confidence of its target market, since they believe it causes impotence.

In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.

A nurse falls in love with her patient and secretly marries him. When treating another patient, he falls in love with her and, pretending to be in agony, asks for one last wish: to marry him, and she accepts.

Candinho is a hillbilly who leaves the countryside, taking his donkey along, and goes to São Paulo, trying to find his mother.

She mesmerised the crowd. The first sight would rapidly disappear and anyone who would get closer would also be surprised. It is not known if she did it for "beauty or precision", as Guimarães Rosa used to say. But the truth is that stereotypes would be destroyed as soon as she would fetch her followers. And revelations would unfold. Behind her suavely acute and toned voice, there was a deep tone that only few could reach. Behind her humble upbringing, there was an uncommon sensibility and intelligence. Her disguise was her irrepressible technique. Elis was pure emotion. And singing was not her final objective, she really wanted to make people happy. This film honours Elis and creates a singular portrait of Brazil's biggest star.

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The special documentary celebrates Elis Regina's 75th birthday and makes a parallel between Elis' extremely prevailing thoughts with those of João Marcello Bôscoli, Pedro Camargo Mariano and Maria Rita, her children, answering the same questions in the present time. All three talk about their childhood, their relationship with Elis and her artistic career.

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The story takes place in a boarding house, on the verge of bankruptcy, where the most different characters parade: a solitary woman, a womanizer singer, a musical group, an unemployed doctor, a football player and a radio singer, and where everyone gets involved to pay the mortgage that threatened the pension.