Kim Novak
Acting
Biography
Marilyn Pauline Novak (born February 13, 1933), known professionally as Kim Novak, is an American retired film and television actress. She began her career in 1954 after signing with Columbia Pictures. There, she became a successful actress, starring in a string of movies, among them the critically acclaimed Picnic (1955). She later starred in such popular successes as The Man with the Golden Arm (1955) and Pal Joey (1957). However, she is perhaps best known today for her "dual role" as both Judy Barton and Madeleine Elster in Alfred Hitchcock's classic thriller Vertigo (1958). Novak was popular in box office popularity polls, and she starred opposite several top leading men of the era, including James Stewart, William Holden, Frank Sinatra, Tyrone Power, and Kirk Douglas. Although still young, her career declined in the early 1960s, and after several years in a series of lackluster films, she withdrew from acting in 1966. She has only sporadically returned since. She later returned to the screen in The Mirror Crack'd (1980), and had a regular role on the prime time series Falcon Crest (1986–87). After a disappointing experience during the filming of Liebestraum (1991), she has permanently retired from acting, stating she has no desire to return. Description above from the Wikipedia article Kim Novak, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For
Falcon Crest is an American primetime television soap opera which aired on the CBS network for nine seasons, from December 4, 1981 to May 17, 1990. A total of 227 episodes were produced. The series revolves around the feuding factions of the wealthy Gioberti/Channing family in the Californian wine industry. Jane Wyman starred as Angela Channing, the tyrannical matriarch of the Falcon Crest Winery, alongside Robert Foxworth as Chase Gioberti, Angela's nephew who returns to Falcon Crest following the death of his father. The series was set in the fictitious Tuscany Valley northeast of San Francisco.
Falcon Crest
Four panelists must determine guests' occupations - and, in the case of famous guests, while blindfolded, their identity - by asking only "yes" or "no" questions.
What's My Line?
The Ed Sullivan Show is an American TV variety show that originally ran on CBS from Sunday June 20, 1948 to Sunday June 6, 1971, and was hosted by New York entertainment columnist Ed Sullivan. It was replaced in September 1971 by the CBS Sunday Night Movie, which ran only one season and was eventually replaced by other shows. In 2002, The Ed Sullivan Show was ranked #15 on TV Guide's 50 Greatest TV Shows of All Time.
The Ed Sullivan Show
An annual American awards ceremony honoring cinematic achievements in the film industry. The various category winners are awarded a copy of a statuette, officially the Academy Award of Merit, that is better known by its nickname Oscar.
The Oscars
No description available.
The Steve Allen Show
No description available.
Cinépanorama
V.I.P.-Schaukel is a 45 minute documentary-family-news-talk show starring Margret Dünser as Host. The series premiered on Sun May 09, 1971 on ZDF and Folge 37 - Final Show last aired on Fri May 09, 1980.
V.I.P. Schaukel
Every year there was a Gala of the Stars at the Zirkus Krone in Munich.
Stars in the Ring
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.
Vertigo
No description available.
Please Turn the Page
No description available.
Reflets de Cannes
Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.
To Each His Own Cinema
When illegal card dealer and recovering heroin addict Frankie Machine gets out of prison, he decides to straighten up. Armed with nothing but an old drum set, Frankie tries to get honest work as a drummer. But when his former employer and his old drug dealer re-enter his life, Frankie finds it hard to stay clean and eventually finds himself succumbing to his old habits.
The Man with the Golden Arm
Jane Marple solves the mystery when a local woman is poisoned and a visiting movie star seems to have been the intended victim.
The Mirror Crack'd
A suburban architect loves his wife but is bored with his marriage and with his work, so he takes up with the neglected, married beauty who lives down the street.
Strangers When We Meet
A police detective falls for the bank robber's girlfriend he is supposed to be tailing.
Pushover
Gillian Holroyd, a modern-day witch, becomes smitten with her handsome upstairs neighbor, Shep Henderson. Using her magical powers, she casts a love spell on him, only to face unexpected complications when genuine feelings emerge, threatening her supernatural abilities.
Bell, Book and Candle
In this strange western version of Moby Dick, Wild Bill Hickok hunts a white buffalo he has seen in a dream. Hickok moves through a variety of uniquely authentic western locations - dim, filthy, makeshift taverns; freezing, slaughterhouse-like frontier towns and beautifully desolate high country - before improbably teaming up with a young Crazy Horse to pursue the creature.
The White Buffalo
Labor Day in a small Kansas farm town. Hal, a burly and resolute drifter, jumps off a dusty freight train car with the purpose of visiting Alan, a former college classmate and son of the richest man in town.
Picnic
This documentary, hosted by actor Burgess Meredith, explores the life and career of movie director Otto Preminger, whose body of work includes such memorable films as Anatomy of a Murder, Exodus, Laura, Forever Amber, Advise and Consent, In Harm's Way, The Moon Is Blue, The Man with the Golden Arm, and many other movies made from the '30s through the '70s. Interviews with actors Frank Sinatra, Vincent Price, James Stewart, Michael Caine, and others who worked with the flamboyant and sometimes control-obsessed director add information and insight to the story.