Don MacPherson
Writing
Biography
From Wikipedia, the free encyclopedia. Don Macpherson (born 7 September 1954) is a British screenwriter working in films and television.
Known For

A neo-noir anthology television series, set in somber Los Angeles right after World War II and before the election of American President John F. Kennedy. The episodes, although filmed in color, mimicked what had been done by Hollywood filmmakers during the film noir era of the 1940s and 1950s in terms of tone, look, and story content.
Fallen Angels

Based on the true nail-biting mission that captivated the world. Twelve boys and the coach of a Thai soccer team explore the Tham Luang cave when an unexpected rainstorm traps them in a chamber inside the mountain. Entombed behind a maze of flooded cave tunnels, they face impossible odds. A team of world-class divers navigate through miles of dangerous cave networks to discover that finding the boys is only the beginning.
Thirteen Lives

Eight years after fleeing the Congo following his assassination of that country's minister of mining, former assassin Jim Terrier is back, suffering from PTSD and digging wells to atone for his violent past. After an attempt is made on his life, Terrier flies to London to find out who wants him dead -- and why. Terrier's search leads him to a reunion with Annie, a woman he once loved, who is now married to an oily businessman with dealings in Africa.
The Gunman

Set at the outbreak of WWII – mischievous playboy Ian Fleming is untroubled by the specter of impending war – chasing women, collecting rare books and living off his family fortune. Forever in the shadow of his brother Peter, and an eternal disappointment to his formidable mother Eve, Fleming dreams of becoming the ‘ultimate’ man – a hero, a lover, a brute and the one who always gets the girl. He is finally given some direction in his life when he’s recruited by the Director of Naval Intelligence to help in the effort against the Nazis. Suddenly, Fleming finds his chance to shine and prove his worth.
Fleming

British Ministry agent John Steed, under direction from "Mother", investigates a diabolical plot by arch-villain Sir August de Wynter to rule the world with his weather control machine. Steed investigates the beautiful Doctor Mrs. Emma Peel, the only suspect, but simultaneously falls for her and joins forces with her to combat Sir August.
The Avengers

Lovely and sensitive Maud Ruthyn is sent to stay with her Uncle Silas, a charismatic rogue who stands to inherit the family fortune... should anything untoward happen to young Maud. With the tyrannical Madame De La Rougierre as her governess, Maud finds that the estate holds terrors beyond her imaginings.
The Dark Angel

A musical adaptation of Colin MacInnes' novel about life in late 1950s London. Nineteen-year-old photographer Colin is hopelessly in love with model Crepe Suzette, but her relationships are strictly connected with her progress in the fashion world. So Colin gets involved with a pop promoter and tries to crack the big time. Meanwhile, racial tension is brewing in Colin's Notting Hill housing estate...
Absolute Beginners

An unemployed Scottish miner is forced into bare-knuckle boxing to make ends meet.
The Big Man

Another stab at Henry Fielding's hilarious novel about the amorous misadventures of a dashing young man in 18th century England. The brilliant 1963 version, starring Albert Finney as the lusty hero, won four Oscars. Joan Collins does a great job as a Wicked Lady style highwaywoman.
The Bawdy Adventures of Tom Jones

The Dark Angel is a sensual and stylish adaptation of Uncle Silas - Sheridan le Fanu’s influential Victorian literary masterpiece. Sheltered heiress Maud Ruthyn's troubles begin when her father hires a new governess. Madame De La Rougierre (played with considerable relish by Jane Lapotaire) is a cruel, brandy-swigging schemer with an unhealthy interest in Maud's inheritance and an approach to childcare that would make Mary Poppins faint. When Maud's father dies she has no choice but to live with her wicked uncle Silas, who will inherit the family fortune if Maud should happen to die. This is not a recipe for domestic bliss and soon it seems that everyone but Maud is either bad, mad, or both.