Acting
Quotidien (nicknamed "The French Show with the Good Lighting" abroad) is a French daily infotainment television program broadcast in the early evening on TMC since September 12, 2016. The show is hosted by Yann Barthès and produced by Bangumi. It consists of segments and reports produced by the team of commentators and journalists surrounding Yann Barthès and features daily guests including newsmakers, intellectuals, politicians, and French and international celebrities.
La Revue de presse (formerly La Revue de presse des Deux Ânes) is a French humorous television talk show, broadcast since October 17, 2007 on Paris Première. It is hosted by Jérôme de Verdière, and involves several columnists and impersonators.
Comedian with a caustic humor, Jérémy Ferrari is never afraid to do what it takes to make his audience laugh. For the fourth consecutive year, he has assembled a cast of comedians to act out a series of improbable sketches in duos.
Back for a second edition, famous comedians come together to act in duos in a series of sketches.
Recorded at the Palais des Sports in Paris on 25 September 2008. Florence Foresti, surrounded by Franck Dubosc, Stéphane Rousseau, Arthur, Michaël Youn, Elisabeth Buffet, François-Xavier Demaison and many others, revisits the timeless theme of male-female relations through original sketches such as La grossesse as well as parodies, songs and unforgettable imitations including that of Amy Winehouse. Alone, in duet or trio, with her best comedy friends, Florence Foresti offers us, in this long version of the show at the Palais des Sports, a 3-hour show packed with exclusive sketches recorded at the Just for Laughs Festivals in Nantes, Montreal and Paris, and additional guests including Anthony Kavanagh, Manu Payet and Diam's!
The show "Class!" was born from the association of two multi-tasking artistic personalities, both comedians, musicians and imitators. The result: a modern music hall show, a "musicomic show" where Cécile Giroud and Yann Stotz laugh at everything and happily cross the limits of convenience.
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