Sally Potter

Various individuals think they’re coming together for a party in a private home, but a series of revelations results in a huge crisis that throws their belief systems – and their values – into total disarray.

England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.

A look at the lives of two teenage girls - inseparable friends Ginger and Rosa -- growing up in 1960s London as the Cuban Missile Crisis looms, and the pivotal event the comes to redefine their relationship.

She is a scientist. He is a Lebanese doctor. They meet at a banquet and fall into a carefree, passionate relationship. But difficulties abound because of his heritage and her loveless marriage. She flies to Havana to sort things out on the beach and in the cabarets. She sends him a ticket, but harbors no illusions that He will join her in this Caribbean melting pot.

Comedian Nick Helm narrates this bold new documentary series exploring the dramatic history of British cinema. Discover how cinema held a mirror up to society from 1960 through to the 00s.

A young refugee travels from Russia to America in search of her lost father and falls in love with a gypsy horseman.

The film follows 24 hours in the life of father and daughter Leo and Molly, as they weave their way around New York City, until their ordinary but stressful day takes on a hallucinatory and epic quality.

An avant-garde examination of the relationship between women and money in society. Mixing musical, silent melodrama, and philosophical treatise into a post-punk, heady brew.

A schoolboy uses his cellphone camera to shoot intimate interviews with people working at a New York fashion house and secretly posts them on the internet. Result: a bitterly funny expose of an industry in crisis, during a week in which an accident on the runway becomes a murder investigation, and denial leads to devastation.

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

Rehearsals for a fundraising gala become the arena for a struggle between two men; one, the gala director and the other, a richly talented but unstable rock drummer. As their battle for expression and control escalates against a relentless rhythmic backdrop, their public and private selves explosively collide.

A family embarks on an expedition to scatter the ashes of an archaeologist. As they pitch camp at one of the archaeologist's sites, sibling rivalries and buried tensions arise.

Interviews with women directors working in Hollywood and Europe in the early 1990s, exploring the opportunities and obstacles that face them. A program made to accompany a Channel 4 season of films directed and produced by women.

What happens after the curtain falls on the death of Mimi, tragic heroine of Puccini's La boheme. In Thriller, Mimi teams up with the opera's comic heroine Musetta to investigate her own death.

A video diary of Orlando (1992) that features the actors and key crew members on the film as we travelogue through many of the shoots in Uzbekistan, inter-cut with on-set interviews.

Imagining October explores art and politics in the final years of the Cold War, drawing connections between pre-Perestroika Russia and Thatcherite Britain. The title refers to the 1917 Bolshevik revolution and Sergei Eisenstein’s propaganda film October: Ten Days That Shook the World 1928. The project began during a trip to the Soviet Union sponsored by the British Film Institute in October 1984. Jarman was invited to present The Tempest in Moscow and Baku with fellow filmmaker Sally Potter and film theorist Peter Wollen and asked in return to make a short film for the London Film Festival in November.

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

A mysterious woman recruits a Cabinet doorman and an ex-civil servant for a plot to bring down the British government.

Examines laughter, its representation in film and its day to day function. Well known people from various backgrounds discuss the issue and what it means to them.