Jennifer Vuletic

Rafferty's Rules was an Australian television drama series which ran from 1987 to 1990 on the Seven Network. Rafferty's Rules was one of the first programs undertaken by the Seven Network's then new in-house drama unit, going into production in May 1985 as "a 15-part courtroom drama". The program had started out as a pilot episode, recorded in early 1984 with the actor Chris Haywood in the lead role. When the pilot episode was remounted later in 1984, Chris Haywood wasn't available and the lead role was re-cast to John Wood. This second recording was eventually broadcast as the program's first episode.

A strange race of human-like marsupials appear suddenly in Australia, and a sociologist who studies these creatures falls in love with a female one. Is this a dangerous combination?

Teresa is a spirited young girl chafing under the oppressive attitudes of 1930s society, and her father in particular. She fancies her poverty-stricken Latin tutor Johnathan Crow, without realising he merely considers her a pleasant diversion and nothing more, and eventually follows him from Sydney to London. En route she meets the gentle banker James Quick. Whilst navigating her relationships in London, including with a political poet bound for the Spanish Civil War, she experiences a transformation in her understanding of love. Based upon Christina Stead's best-selling Australian novel.

The true story of the dark days of 1941 when Menzies battled with Winston Churchill over the strategic direction of the Second World War with the fate of Australia hanging in the balance.

The story of how Australia's 'ANZAC myth' was born and the role of General John Monash in this process as soldier and statesman both during and after WW1.

Ballerina is a 2006 documentary film that follows the training sessions, rehearsals, and everyday lives of five Russian ballerinas at different stages in their career.

As she prepares for a first date, Isabelle is pestered by the apparition of Dorothy Ainsworth, a chain-smoking, well-spoken, long-since deceased author of 1950’s lesbian pulp novels. Isabelle is grappling with ‘dead lesbian syndrome’ and resents Dorothy for perpetuating it in her writing.

Through the story of one woman’s year in a room with a view, the film catches its audience up in the collective memories of all those who have loved and lost. Through a study of Liz’s obsession and loneliness, the film mixes the particular with the universal to cover the whole gamut of feelings and theories about lost love. Ranging from the popular to the more erudite, snatches of songs, quotes and diary jottings are all stitched together with stories from Liz’s past and descriptions in minutiae of her current existence. The B side of love is richly played out through the words of an A team of interpreters from Split Enz, Laurie Anderson and Bob Dylan to Freud, Marge Piercy, Collete and Roland Barthes.

A musical melodrama about the queerness of opera and the operatic in real life.

A surreal exploration of a woman's daydreams following a one night stand.