Alessandro Scippa

Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.

In a hot summer, the lives of the children are about to be changed forever when two girls are found raped and murdered. The children know who the suspect is but knowing that the adults will never believe them, they decide to keep quiet. When one of their friends sister disappear, they know they have to take the matter into their own hands.

On the small island where she lives and works, Arianna is preparing to ring in the new year and ring out the old. But that night might not only be the end of the year, it might also be the end of her relationship with Nanni, a beekeeper from the city. The looming separation remains a mystery for the woman: she doesn’t understand the reasons for it and fruitless hours have been spent talking it over with evasive Nanni, who seems to consider their relationship an obstacle to his freedom. But when faced with another woman’s pain, Arianna manages to find the strength within herself to carry on.

A story of friendship in a squalid suburb of a city of southern Italy. Alexander and Ferdi come from poor families and live in a city in decline, where there is no future.

The Resistance, an ancient theme. Almost always approached from a realistic, if not documentary, perspective. Yet memory reworks in a fantastic, sometimes sinister, way all kinds of memories, even dramas. It is from this point of view that first-time director Daniele Gaglianone (34) approached the subject, despite his deep historical knowledge of the period (he has been working with the National Archive of the Resistance for years). In an interior, rather than intimate key: two old men meet by chance the fascist hierarch responsible for a terrible massacre, and they do not know whether to forgive or avenge. The past then mixes with the present, up to a third dimension that becomes a real character, in the finale: the decision made by the two will turn out to be unsuccessful and then, in order not to "die," the old men will build a perverse inner game capable of remedying every pain...

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