Valerio Mastandrea

Boris is an Italian television series created by Luca Manzi and Carlo Mazzotta, initially produced from 2007 to 2010, with a revival season premiered in 2022. The show brings to the stage the behind the scenes of a television set where a troupe is shooting Gli occhi del cuore 2 (The eyes of the heart 2), a satirical portrait of the many fictions airing on the Italian TV networks.

Marco Santin and Giorgio Gherarducci - supported in the studio by Mago Forest, a great cast of comedians and many surprise guests - comment with biting irony on the most popular TV programs, the main sporting events and the last web trends.

A Late Show with a strong identity that bears the name of Alessandro Cattelan: surprising interviews, monologues, music and guests who face all the challenges, even the most unlikely, but without ever taking themselves seriously.

When his friend Wild Boar lands himself in hot water with organized crime, Zero and the gang unite to save him while barely coping with their own lives.

During a dinner, a group of friends decide to share whatever message or phone call they will receive during the evening, with unforeseen consequences.

In postwar Rome, a working-class woman dreams of a better future for herself and her daughter while facing abuse at the hands of her domineering husband. When a mysterious letter arrives, she discovers the courage to change the circumstances of her life.

Buona la prima! is an Italian television series.

Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.

A cartoonist in Rome with his armadillo-for-a-conscience reflects on his path in life and a would-be love as he and his friends travel outside the city.

Michelin-starred chef Carlo Cracco undertakes six trips across Italy to rediscover its most authentic cuisine with famous actors for each destination.

1960s, the city of Clerville. The forthcoming visit of heiress Eva Kant, who'll be bringing a famous pink diamond with her, catches the attention of Diabolik, the infallible and elusive thief whose real identity is unknown: while trying to steal the jewel, he finds himself bewitched by Eva's charm, a feeling she may be reciprocating. But the police, led by relentless Inspector Ginko, is rapidly closing in on him...

Ida, a single mother of two sons, hides her Jewish heritage and fights against poverty and persecution during the end of World War II and post-war Rome.

Davide’s life is turned upside down by a tragic event for which he bears an unwitting responsibility. Devastated by guilt, he is driven to a series of seemingly irrational choices that gradually lead him toward profound consequences. Yet, through his deep emotional bond with Elsa, Davide may still find an unexpected path to peace.

Called to Rome to stop an imminent terrorist bombing, a soldier desperately seeks news of his imprisoned brother — a rebel with knowledge that could thwart the attack. Navigating the capital's darkened streets, he races to a series of ominous encounters to keep the Vatican from being blown to bits.

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

Antonia breaks up with her partner, has a fallout with her best friend, and loses her job, all on her birthday. Plus, she discovers she has endometriosis. She decides to undergo therapy, but she only attends the first free sessions. As she strives to get her present life in check, Antonia's exhilarating therapy sessions give us a peek into her past and what it means to be a modern woman.

The fates of an apparently random group of strangers who each come into contact with a mysterious figure who they believe possesses the power to grant any wish, in return for which they must carry out a task he assigns them.

When an old friend returns to the neighborhood, Zerocalcare wants to help him find his place back in the world. But what's the right thing to do?

2049. Emanuela Fanelli is 63 years old and lives alone in a small isolated mountain village in Valle d'Aosta. She doesn't act anymore, she shied away from cameras and has been forgotten by the showbiz. Through a ironic and speculative tone, Peccato interrogates on the reasons of the actress' retreat, by a "what if" narrative that goes back through Fanelli's carreer and the mysterious scandal that caused her downfall.180

A man spends peacefully his days in hospital without too many worries. He has been hospitalized for a while but that condition seems like the best way to live his life, safe from everything and everyone, without responsibilities and problems of any kind. It feels really good in there and even if some of his ward companions feel trapped, for them he can also feel free like nowhere else. That precious routine runs smoothly until a new person is admitted to the same ward. She is a restless, angry companion, she accepts nothing of that condition, especially the unwritten rules. She is not willing to wait, she wants to leave that place better or even worse. She wants to live as she should or die, as happens to those who end up in there. He is overwhelmed by that fury, first trying to defend himself and then accepting something incomprehensible. That encounter will help him accept that if you choose to truly face your heart and your emotions, there is no possible repair.