André Szymanski

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

The SOKO Stuttgart team investigates analytically and with sensitivity in the likeable state capital. The exciting cases of the series lead them to bizarre crime scenes and to different milieus.

Morden im Norden is a German Police that has been broadcast by Das Erste. The show is set in Lübeck, Germany Morden im Norden is part of a series of commonly branded shows with similar themes called "Heiter bis tödlich".

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Abschnitt 40 was a German police television series broadcast between May 21 2001 and 2006. It was aired on RTL Television.

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A young prosecutor in postwar West Germany investigates a massive conspiracy to cover up the Nazi pasts of prominent public figures.

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Before Dawn charts the years of exile in the life of famous Jewish Austrian writer Stefan Zweig, his inner struggle for the "right attitude" towards the events in war torn Europe and his search for a new home.

Peter Weiss’ monumental 1965 stage play, among the greatest artworks on the Holocaust, condenses the testimonies of witnesses and the accused during the Frankfurt Auschwitz Trials of 1963-1965. This ultra-faithful film adaptation builds, across four hours, in its intensity and graphically described detail.

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"In the Shadows" slithers through underworld Berlin in grand style. En route to a twisty finale, German writer-director Thomas Arslan keeps his audience glued to the increasingly desperate actions of Trojan, a thirtysomething career criminal whose latest job slowly catches up with him.

Karin Wegemann has been transferred. Instead of being on active duty at the LKA, she has been teaching prospective colleagues at the police academy for several months. But a life at a standstill is not made for a woman who feels most comfortable in a headwind. The career change brings her neither external stability nor inner peace. Her superiors see this too. One evening, Wegemann meets investigative journalist Maik Fellner. Child trafficking in Germany has been Fellner's topic for years, but his articles ultimately have no effect whatsoever, and his harrowing research is at best denigrated as slander. Fellner needs Wegemann, but he needs her as an active police officer. He puts Wegemann under pressure and tells her about a 14-year-old witness who has put him on the trail of a child trafficking ring in Potsdam. Her investigation puts her in dire straits, because the perpetrators also know that there is a witness.

Young detective Ria Larsen is faced with the question of how serial killer Wernicke, who is imprisoned in a psychiatric ward, instructs brutal murders on the Husum coast. The bodies in the dunes point to a copy killer. During the investigation, Ria suddenly finds herself in a race against time and in a dangerous mind game with a ritual killer who has already destroyed the life of her predecessor.