Dean Daley-Jones

Six extraordinary stories one unmissable series. Redfern Now is the first drama series written, directed and produced by Indigenous Australians.

Set in the dark and old Parramatta prison built by the original convicts our lead character Ray a war veteran finds himself serving 18 months for manslaughter after defending his fiance. He soon realizes that the prison boss has it in for him and does everything possible to break Ray even going after his fiance.

Seventeen talented Australian directors from diverse artistic disciplines each create a chapter of the hauntingly beautiful novel by multi award-winning author Tim Winton. The linking and overlapping stories explore the extraordinary turning points in ordinary people’s lives in a stunning portrait of a small coastal community. As characters face second thoughts and regret, relationships irretrievably alter, resolves are made or broken, and lives change direction forever.

TJ is a mad bastard, and his estranged 13‐year‐old son Bullet is on the fast track to becoming one, too. After being turned away from his mother’s house, TJ sets off across the country to the Kimberly region of northwestern Australia to make things right with his son.
 Grandpa Tex has lived a tough life, and now, as a local cop in the outback town of Five Rivers, he wants to change things for the men in his community. Cutting between three generations, Mad Bastards is a raw look at the journey to becoming a man and the personal transformation one must make.
 Developed with local Aboriginal communities and fueled by a local cast, Mad Bastards draws from the rich tradition of storytelling inherent in Indigenous life. Using music from legendary Broome musicians the Pigram Brothers, writer/director Brendan Fletcher poetically fuses the harsh realities of violence, healing, and family.

When his grandfather's drive-in cinema and home in the outback town of Wyndham is threatened with demolition, a twelve-year-old Aboriginal boy must journey through Australia's bush country — equipped only with ancient survival skills — to stop the city developers.

In a remote Aboriginal community, 10 year old Daniel yearns to be a gangster, like the male role models in his life. Skipping school, getting into fights and running drugs for Linden, who leads the main gang in town.

A young man learns to relinquish responsibility for the things which are beyond his control, and to concentrate on those things which are not.