Alina Reyes

Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

Alina is a brilliant and enterprising woman who runs a successful art gallery in Palermo. Her husband Daniele, a successful orchestra conductor, cultured and intelligent, is not a regular presence. One day, while accompanying Daniele to the airport, Alina feels a sense of emptiness. She will try to fill it with a butcher who is always joking and full of erotic allusions and who arouses a strong attraction in her.

Two men who have been friends for quite some time and who live in different cities maintain a correspondence with Super 8 film reels that they occasionally send to each other. One of these film reels shows a woman who reminds the addressee of a former girlfriend. Immediately and without paying attention to his obligations to the company, he drives the company car to the city of his childhood friend, 780 km away. There he finds out that she has been the secret lover of his Super 8 friend for years. After about three or four weeks, which they spend on the coast of another country without any significant difficulties, the lover of the childhood friend rows his boat alone across the Atlantic after an obviously frame-up rescue operation.

This feature-length documentary explores a wide range of lesbian, bisexual, and heterosexual women’s erotic fantasies and sexual practices. It reveals the conflicts and complexities of female sexuality as well as the joys and triumphs of self-discovery and personal empowerment.

All over the world, since the dawn of humanity, the buttocks have been the subject of innumerable representations. From the Louvre to the Metropolitan, on the street and at the beach, through cinema and advertising, this film lays bare the evolution of our collective fantasies revolving around the bottom. Paleo-anthropology, psychoanalysis, and the history of art all give us a glimpse of the hidden side of our bottoms.