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Sudhendu Roy

Sudhendu Roy

Art

Biography

Sudhendu Roy (1921–1999) was a noted Indian film director, art director and production designer in Hindi cinema, most known for his realistic art direction in auteur Bimal Roy's films, like Sujata (1959), Madhumati (1959) and Bandini (1963), and glitzy work in films Subhash Ghai's Karz (1980) and Karma (1986) to Yash Chopra's Silsila (1981), Chandni (1989) and Lamhe (1991). He won the Filmfare Award for Best Art Direction thrice for Madhumati (1959), Mere Mehboob (1964), and Sagina (1975). He also directed Hindi films like Uphaar (1971) and Saudagar (1973), both of which were India's official entries to the Academy Award for Best Foreign Language Film. Sudhendu Roy was born and brought up in Pabna (now in Bangladesh), where his father Puranchandra Roy was a lawyer by profession from eastern Bengal, who was also a writer and even took part in the freedom movement, and wanted his son to study law, young Roy had other plans, so he took his admission fees to join a law college in Kolkata, and ran away from home, never to go back.

Known For

Darr
6.9

A woman is caught between one man's love and another man's obsession. She fears one and fears for the other. One stands for love and the other for life. Who will she choose?

Darr

1993
Silsila
6.2

When his brother's tragic death leaves his pregnant fiancée devastated, playwright Amit selflessly marries her to protect her from societal contempt. However, when fate brings him face-to-face with his former flame, love proves to be stronger than marital vows.

Silsila

1981
Anjaam
6.9

After mistaking a flight attendant's attention for love, a wealthy, spoiled man becomes obsessed with her and soon tears her life apart.

Anjaam

1994
Samundar
6.6

Honest police officer Surajbhan would like Rajeshwar Nath to provide all the material documents that can prove Raiszada Narsingh is a hardcore criminal. When Raiszada learns of this through his henchman Hansukh he kills Surajbhan and frames Rajeshwar Nath for this killing. Years later Surajbhan's son Ajit grows up with Raiszada and is willing to locate Rajeshwar Nath who now calls himself Girija Shankar so that he can avenge the murder of his dad.

Samundar

1986
English Babu Desi Mem
5.6

Vikram Mayur is looking after his late brother's eight-year-old son and is torn between choosing to take Nandu back to England to learn his family's business, or risk throwing it all way.

English Babu Desi Mem

1996
Kaala Patthar
7.6

Vijay Singh is a disgraced former Merchant-Navy officer who is branded as a coward after he abandons his crew during an emergency. Guilt-ridden and trying to forget his past, he takes up work at a coal mine where he gets trapped with other miners after a flood hits them.

Kaala Patthar

1979
Kali Ghata
10.0

When a young woman is pushed off a boat, she must unmask her would-be killer.

Kali Ghata

1980
Heer Raanjha
7.0

Heer Raanjha is a 1970 Indian Hindi-language romantic musical film directed by Chetan Anand. It stars Raaj Kumar and Priya Rajvansh and tells the tragic love story of Heer, a wealthy girl, and Ranjha, who has been banished by his family. The film is often referred to as a Punjabi version of "Romeo and Juliet.

Heer Raanjha

1970
Do Musafir
10.0

Bijli's life crashes when her lover Raju dies tragically in an accident. She is in for a bigger shock when she meets Vicky.

Do Musafir

1978
Sanyasi
6.6

Renukadevi is widowed and the mother of a son named Ram. Her husband had indulged in all possible vices, and passed away unexpectedly. Her father-in-law, Rai, does not want Ram to repeat his father's mistakes, and teaches him all the positive values of the Hindu religion, in particular the contents of the Holy Book "Geeta". As a result, Ram refrains from all known vices, is an expert in yogic exercises, decides to live the life of a celibate, and refuses to marry anyone. When Rai passes away, Renuka asks Ram to fulfill his grandfather's last wishes, one of which was to get married. She even arranges his introduction to Aarti, an attractive young woman. But Ram is convinced that marriage is not for him.

Sanyasi

1975
Jhumroo
8.0

Anjana lives a wealthy lifestyle with her dad, Dwarka Nath, in a hilly region in India. When she returns home after several years, she finds that her dad has become more strict and a disciplinarian, and even has his erring employees and villagers flogged. Then she meets with local villager, Jhumroo, and both fall in love with each other. Jhumroo takes her home to introduce her to his mom, Kamla, who approves of her instantly. When Dwarka comes to know about this, he is enraged, and quickly announces her marriage with his Manager, Ramesh. Jhumroo is heart-broken and goes to meet with Anjana, who does tell him that she loves him, but must obey her father. What Jhumroo and Anjana do not know is that she is not Dwarka's daughter, but is the daughter of Kamla, and abducted at a very young age.

Jhumroo

1961
Aman
8.0

Dr. Gautamdas (Rajinder Kumar) attains his qualifications in London, England, and with the blessings of Lord Bertrand Russell (himself), returns to his home country and his dad (Balraj Sahni). Much to the disappointment of his dad, Dr. Gautamdas decides to re-locate to Japan, which has been devastated by the explosion of atom bombs on two of it's cities - Hiroshima and Nagasaki. There he meets with other doctors, and is given a tour of the patients and their families, and other survivors (Om Prakash, Chand Usmani, Baby Kavita). {Graphic scenes of the atrocities inflicted on innocent people} On a chance meeting with the beautiful Meloda (Saira Banu) he knows that they are destined to be one, and so does she. Meloda's dad is also a doctor (Chetan Anand). Meloda had studied in India and speaks Hindi fluently. Both fall in love amongst the splendour of Japan.

Aman

1967
Aas Paas
7.8

After her fiancé is killed in an accident, Seema becomes a bar dancer and is raped. When her fiancé miraculously returns, she learns that her rapist is his uncle.

Aas Paas

1981
Yaadein
6.8

The film is soliloquy of a man who comes home to find that his wife and son are not at home, he assumes that they have left him and reminiscences his life with them, and scared of his life without them, he regrets his past indiscretions. The suspense is only revealed in the end.

Yaadein

1964
Trishna
7.5

Aarti, the wife of a wealthy doctor, accidentally kills an old classmate who tries to force himself on her but things quickly turn complicated.

Trishna

1978
Aasha
6.0

A famous singer, Aasha, falls in love with a truck driver, who believes his wife is dead, but when Aasha discovers that his wife is alive, she struggles as to whether she should reveal this information, and possibly lose him.

Aasha

1980
Love Story
6.8

Vijay is in love with Suman but she gets married to another man and eventually, he too marries another woman. Years later, their children happen to fall in love with each other.

Love Story

1981
Himmatwala
4.5

A poor and wronged woman's son returns from the big city to avenge his father, a honest school teacher.

Himmatwala

1983
Joshilaay
6.0

Dara and Karan, the sons of two of the victims of dacoit Jogi Thakur, wait many years to exact their revenge. When the Thakur's colleague Raja Singh cheats him and runs away with his loot, Jogi is arrested and sentenced for life imprisonment. Years later Jogi escapes from the prison to get hold of Raja and take back his booty, but finds his face on all the posters in the village to find him dead or alive with a reward of fifty thousand rupees. When Karan gets to know Jogi has escaped he goes looking for him. Dara also join hands with Karan to even the score with the dreaded dacoit.

Joshilaay

1989
Musafir
7.0

The stories of three sets of people, linked by their connection to an old suburban house in Calcutta- An orphaned young woman who desperately wants her husband to make up with his estranged parents so that she may belong to a family once more, a wayward young man desperate to find a job to support his aged father and his widowed sister-in-law, and a shadowy neighbourhood ‘madman’

Musafir

1957