FEEL IT.STREAM
Sudhendu Roy

Sudhendu Roy

Art

Biography

Sudhendu Roy (1921–1999) was a noted Indian film director, art director and production designer in Hindi cinema, most known for his realistic art direction in auteur Bimal Roy's films, like Sujata (1959), Madhumati (1959) and Bandini (1963), and glitzy work in films Subhash Ghai's Karz (1980) and Karma (1986) to Yash Chopra's Silsila (1981), Chandni (1989) and Lamhe (1991). He won the Filmfare Award for Best Art Direction thrice for Madhumati (1959), Mere Mehboob (1964), and Sagina (1975). He also directed Hindi films like Uphaar (1971) and Saudagar (1973), both of which were India's official entries to the Academy Award for Best Foreign Language Film. Sudhendu Roy was born and brought up in Pabna (now in Bangladesh), where his father Puranchandra Roy was a lawyer by profession from eastern Bengal, who was also a writer and even took part in the freedom movement, and wanted his son to study law, young Roy had other plans, so he took his admission fees to join a law college in Kolkata, and ran away from home, never to go back.

Known For

Dil Aur Mohabbat
10.0

Widowed by the sudden passing of his wife, Superintendent of Police, Choudhry, brings up his son, Rajesh, on his own, teaches him all known good values, and when he grows up sends him to College in Bombay, and remits money to him regularly. Choudhry would like to transfer to Bombay Police, so that he can be close to his son, and then one day out of the blue, his transfer is approved, and a delighted Choudhry writes to his son to pick him from the railway station. Upon arrival in Bombay, he does not find his son at the Railway Station, but when browsing through a newspaper he sees his son's photograph - wanted for the murder of a card-sharp. Shocked and dismayed, Choudhry attempts to piece his life together and attempts to find Rajesh before the City Police do - for he may well face the death sentence. Choudhry does find him, but only after Rajesh is accused of killing a woman named Kishori, and this time Choudhry is quite sure that there is no hope for Rajesh.

Dil Aur Mohabbat

1968Movie
Aap Beati
7.0

The Kapoor family consists of Kishorilal, his wife Lajjo, son, Prakash, and daughter, Geeta. Kishorilal and Geeta toil hard to ensure that Prakash gets a good education so that he can study in America, return home, and repay the loans that the family has taken. Prakash does get to complete his studies, he also travels to America, upgrades, and returns home to be employed as Kishorilal's boss. Then Prakash gets married to Reena, who comes from a wealthy family, and moves in with them. Geeta confides in Reena that she has met a young man by the name of Ranjit, both are in love and want to get married. The entire family is overjoyed, but their joys are short-lived when Ranjit's dad, Mayadas, asks him to get married to the daughter of a wealthy man, when he refuses, he is asked to leave.

Aap Beati

1976Movie
Pavitra Papi
7.3

Kedarnath is employed with a local clock/watch repair shop, owned by a parsimonious Adarshan Lala. Kedarnath goes out of his way to help a destitute woman, Maya, who husband is missing, with two daughters, Veena and Vidya. Kedarnath rents a room with them, writes letters to her on behalf of her husband, Pannalal, and even arranges the marriage of Veena with the son of Daulatram. When Maya tells him that she has no money to pay for the marriage expenses, he steals cash from his employer, and tells Maya that the money is from Pannalal. And all along telling Maya that he is a close friend of Pannalal, even though he has never met Pannalal, leave alone know him, making one think as to what devious secret Kedarnath is hiding, and what is the reason behind Pannalal's disappearance.

Pavitra Papi

1970Movie