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Sudhendu Roy

Sudhendu Roy

Art

Biography

Sudhendu Roy (1921–1999) was a noted Indian film director, art director and production designer in Hindi cinema, most known for his realistic art direction in auteur Bimal Roy's films, like Sujata (1959), Madhumati (1959) and Bandini (1963), and glitzy work in films Subhash Ghai's Karz (1980) and Karma (1986) to Yash Chopra's Silsila (1981), Chandni (1989) and Lamhe (1991). He won the Filmfare Award for Best Art Direction thrice for Madhumati (1959), Mere Mehboob (1964), and Sagina (1975). He also directed Hindi films like Uphaar (1971) and Saudagar (1973), both of which were India's official entries to the Academy Award for Best Foreign Language Film. Sudhendu Roy was born and brought up in Pabna (now in Bangladesh), where his father Puranchandra Roy was a lawyer by profession from eastern Bengal, who was also a writer and even took part in the freedom movement, and wanted his son to study law, young Roy had other plans, so he took his admission fees to join a law college in Kolkata, and ran away from home, never to go back.

Known For

Aap Beati
7.0

The Kapoor family consists of Kishorilal, his wife Lajjo, son, Prakash, and daughter, Geeta. Kishorilal and Geeta toil hard to ensure that Prakash gets a good education so that he can study in America, return home, and repay the loans that the family has taken. Prakash does get to complete his studies, he also travels to America, upgrades, and returns home to be employed as Kishorilal's boss. Then Prakash gets married to Reena, who comes from a wealthy family, and moves in with them. Geeta confides in Reena that she has met a young man by the name of Ranjit, both are in love and want to get married. The entire family is overjoyed, but their joys are short-lived when Ranjit's dad, Mayadas, asks him to get married to the daughter of a wealthy man, when he refuses, he is asked to leave.

Aap Beati

1976Movie
Aap Aye Bahaar Ayee
7.0

Rohit, Whiskey, and Kumar (Rajendra Kumar, Rajendra Nath, and Prem Chopra respectively) are childhood friends. While travelling to his estate in the company of Whiskey, Rohit meets with beautiful Neena (Sadhana), and falls in love with her. Subsequently, he meets with her father (Raj Mehra) where they are properly introduced, and she too falls in love with him. Unknowingly, Kumar also sends his proposal for marriage to Neena, but Neena rejects it. Kumar is offended and shortly before the marriage of Neena and Rohit, molests Neena. Rohit and Kumar become enemies, have a fight and Kumar loses sight in his left eye. Feeling that she is not worthly of Rohit anymore, Neena refuses to marry Rohit. Will Rohit and Neena ever get together again? Will they continue to be haunted by Kumar?

Aap Aye Bahaar Ayee

1971Movie
Dil Aur Mohabbat
10.0

Widowed by the sudden passing of his wife, Superintendent of Police, Choudhry, brings up his son, Rajesh, on his own, teaches him all known good values, and when he grows up sends him to College in Bombay, and remits money to him regularly. Choudhry would like to transfer to Bombay Police, so that he can be close to his son, and then one day out of the blue, his transfer is approved, and a delighted Choudhry writes to his son to pick him from the railway station. Upon arrival in Bombay, he does not find his son at the Railway Station, but when browsing through a newspaper he sees his son's photograph - wanted for the murder of a card-sharp. Shocked and dismayed, Choudhry attempts to piece his life together and attempts to find Rajesh before the City Police do - for he may well face the death sentence. Choudhry does find him, but only after Rajesh is accused of killing a woman named Kishori, and this time Choudhry is quite sure that there is no hope for Rajesh.

Dil Aur Mohabbat

1968Movie