Nick Weiss

The senior class plans to have a skip-day party at the principal's house until Adam Harris leaks the secret, so he decides to save the celebration by hosting it at his house.

Jon and Elissa dreamed of having an epic destination wedding surrounded by their best friends. But their trip to paradise turns into an outrageous drunken weekend they wish they could forget.

In Comma Boat, we're stuck in a mock-authoritarian fantasy--a power trip. The film centers around a director-character played by Trecartin who oscillates between feelings of omnipotence and self-doubt. As if a post-human, post-gendered reincarnation of the Fellini character in 8 ½, the director gloats and frets about professional and ethical transgressions. "I know I lied to get ahead," he admits at one point. "I've made up so many different alphabets just to get ahead in my field." The director is fancier now, but the fear nags that he might be "repeating" himself "like a dumb soldier ova and ova and ova and ova." The meta-connection to the artist's own career, while obvious, is also a decoy. All art, at some level, is about the artist. Here, reflexivity is the surface level, providing a decodable veneer that encases something more unsettling and complex. Single-channel and 3-channel versions.

A mermaid gets discovered by a, autotune-loving record producer, turning from an innocent fish into an ignorant popstar with fame, drugs and asshole-attitude.