Christian Frosch

Franz Murer, the Butcher of Vilnius, a former Austrian SS officer, established, organized, and ruled the Vilnius ghetto in Lithuania during the World War II. Different survivors of the Shoah testify when he is judged in 1963, hoping to do justice, but, although the evidence is overwhelming, the desire to close this obscure chapter of history seems to surpass the desire for justice.

The social democrats of the sixties and seventies worked on their grand plan to build a highway network in Germany that every German citizen could reach within five minutes of their home. The little film hangs around between and on the streets of this network - where the country discos, pedestrian zones, shopping centers, hospitals and roads home are behind noise barriers.

At some point in the not-so-distant future, an unnamed European city has evolved into a bizarre dystopian metropolis, whose residents inhabit towering utopian high-rises and work, collectively, in a single compound.

Germany, 1967. Ruby & Martin, a young couple, are rehearsing their uprising. The price is high: expulsion from school, parental violence, and ultimately institutionalization. But they are ready to take on the cause of love.

Nine persons sign up for a self-awareness course at an isolated country estate. Dr. Romero, a charismatic therapist, and his assistants confront the patients with their problems. Cut off from the rest of the world, the participants are increasingly drawn into the therapy's spell.

A psychological portrait loosely based on the true story of Gesche Gottfried who became notorious in 19th century Bremen for killing fifteen people with arsenic. Known by her neighbors and friends as a merciful Christian, loving mother and devoted wife, she poisoned within fifteen years her parents, her brother, two husbands, three children and numerous friends. When caught, she never denied her deeds, but could not give any reason.

A few hours in the life of empress Sisi; a summer night at Gödöllö. A game with operetta and melodrama; a grotesque with much colour, music, dancing, and bloodshed.

Two women fought with uncompromising conviction to change the world in the late 1960s - Inge Viett as a former member of the RAF in Germany, Maria Barhoum as former member of the FAU in Uruguay. In 1999, they met in Cuba, a country that seemed to mirror many of their questions, hopes and fears. The film looks at their real lives and different roads to exile; two utopian visions sought under very different conditions on separate continents. It is a double portrait of two extraordinary women that succeeds in avoiding the twin pitfalls of condemnation and glorification.

An experimental study about the love between Franz Kafka and his adored Felice based on their correspondence.

"Studio Schönbrunn" is an ironic play with quotations. Paula Wessely in the Nazi-Wien-Film-production "Heimkehr", Leni Riefenstahl's biography, as well as Nestroy, Mozart, Marx, Frank Sinatra, Jandl. The text is adapted, de-familiarized and de-subjectivized. Consequently, the leading actor shoots the film's author.

Darkness and its possession evoke artistic "pre-images": primarily Expressionism and its "after-images". The story is told of a stroll through the (cinematic) night, of absurd and of dead theater.

Short film made by a group of young directors in Berlin.

Ester Noter remembers the experiences of her mother Sonja Wolf.