Amleto Palermi
Directing
Known For
Alberto, a newspaper man, tries a one-time shot of living the good life with the help of his penniless mentor.
Il conte Max
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L'eredità dello zio buonanima
Carnevalesca with the beautiful Lydia Borelli is divided into four parts: white carnival - innocent and pure childhood, blue carnival - love and youth, red carnival - violent and destructive passion, black carnival - death and madness.
Carnevalesca
Seduced and abandonned by her fiance, Maria Ferrante leaves home to avoid any scandal. She is trying to find work and place to stay but one misfortune after another comes into her life Venice Film Festival 1940
The Sinner
Carmine Gallone and Amleto Palermi’s The Last Days of Pompeii 1926 stages in sumptuous colour tinting the epic fall of the ancient city buried by Mount Vesuvius’ eruption. Adapted from Edward Bulwer-Lytton’s love story, the film was innovative in its special effects and an early major box-office hit. A beautiful tinted restoration print was prepared using photochemical processes by Centro Sperimentale di Cinematografia-Cineteca Nazionale in the mid-1990s and the premiere screening of the restoration print was held in the amphitheatre in Pompeii, followed by a screening at the major restoration festival ‘Il Cinema Ritrovato’ in Bologna in 1998.
The Last Days of Pompeii
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Arriviamo noi!
Giovanna leaves her husband and son for a short holiday and casually finds an old boyfriend in trouble.
Turbine
Based on the play Henry IV by Luigi Pirandello. Conrad Veidt plays Count di Nolli, a nobleman who, after a head injury, imagines he is the medieval emperor. His friends and relatives choose to play along, dressing up as medieval courtiers, but is di Nolli truly mad, or just pretending? The art direction was by Hermann Warm. It was shot on location in Italy. 6 acts, 1856 meters.
The Flight in the Night
The noble Pantaleo Di Santa Paola has just died, and the preamble to his will is a confession in which he claims that in his youth he had a relationship with a circus rider that produced twin sons.
L'allegro fantasma
Vittorio De Sica, heir to a large sum of money and owner of a newspaper vending stall, makes enough money out of his business to take a vacation at a fashionable resort. He is given a cruise ticket by an aristocrat who is an old school friend, and is mistaken for the aristocrat when he uses a camera that has his friends name on it. Assia Noris plays a maid who falls in love with him because of who he is and not who others think he is. Happy ending comes when De Sica marries Noris, who is more real than the pampered society belles he has been partying with.
Mister Max
No description available.
L'elisir d'amore
Mastr'Antonio Miciaccio caretaker and shoemaker is devoted to Saint John Beheaded and is trying to find out who has been stealing the oil that keeps the candle to the saint burning. He also does not approve of his daughter's boy friend and he does not want him to marry her.
San Giovanni decollato
Everyone burdens their troubles in a little Italian village on the local pastor.
Fiat voluntas dei
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Le due madri
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Allegri masnadieri
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Napoli d'altri tempi
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The Secretary for Everyone
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L'uomo più allegro di Vienna
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I figli del marchese Lucera
The Confessions of a Woman (Italian: Le confessioni di una donna) is a 1928 Italian silent drama film directed by Amleto Palermi.[1] The film relates a woman falling into high-class prostitution, and her eventual redemption. It is set in Palermo.