Vlado Novak

Driving home from a New Year's Eve party, Chief Inspector Taras Birsa notices a police car by the road. He stops, and inadvertently gets involved in an investigation of a brutal murder of a young woman.

The main character of the title lives a completely new life every time. Tomaž Kajzer is a classic hero of the series, but with a mistake. It’s always someone else.

After being fired, a young car mechanic Đuro gets recommendation to look for another job in a remote village. His new boss is warm, old fashioned and naive - completely opposite from the world he's coming from. The peaceful atmosphere is shaken when Đuro falls for a regular customer's wife.

Nika Owen is a trainee lawyer. A beginner in the world of law. And an initiator in life. Through the mysterious death of Inspector Novak, the unraveling of secrets is triggered, leading her down the path of learning what is really going on in society. Her career is at stake, her friendship, her love. —tvprofil

It represents the dynamics of the events that lead to the "great stories" to the media.

Breza, a country boy from a godforsaken Prekmurje village, wishes to perform at the village festivities playing his electric guitar, but is faced with fierce competition in the form of a traditional Roma band entertaining the villagers by playing popular folk music. Nevertheless, his music seems to be the key to the heart of Silvija, a village beauty and the daughter of a wealthy gastarbeiter from Switzerland, who was sent home to find a healthy Slovene husband. However, the story of Breza and Silvija only marks the beginning of the plot whose main character is actually Düplin, an eccentric outsider, a deaf-and-dumb tramp or, as Breza's mother, the old Popovka, a farm owner and a fortune-teller also referred to as Strina, called him "a lad from a citrus producing country".

Pero is a professional funeral speaker in a small Slovenian town. His unique gift is to make every funeral that extra bit special. Pero just can't help turning his eulogies into witty personal confessions that bring the grieving crowd to tears for all the wrong reasons.

Los Angeles in 1935. Fritz Lang receives in his hotel apartment the young film amateur Willy, who wants to prepare an interview with him. At a certain moment Lang starts relating how, as an army officer in the First World War, he spent some time in the house of the lawyer Karol Gatnik in a small town in the northeast of Slovenia. Lang makes friends with Gatnik and gets aquainted with all members of his family. When Lang finds out that Gatnik is a passionate film amateur and that he also possesses his own camera, they make a film together. This is probably Lang’s first contact with cinematography. Late at night Lang looks at the photographs in Los Angeles and revives in his spirit the imaginary meeting with his friend Gatnik.

Slovenia, Australia and Tomorrow the World is a drama film with elements of comedy. The central character Boris works as a machinery maintenance man in a factory, hoping that his work and efforts will be awarded in the future. And indeed, he is given an opportunity by Cosmica, a company providing door-to-door sales and counselling services as well as investment in securities.

A story about a couple from the bottom of the social ladder, about smuggling refugees across borders and other 'suspect' things- it is, first and foremost, an attempt to tell a story about the worst in people, wherever they may be coming from.

In Yugoslavia's Livada prison in 1970, inmates led by Keber convince reluctant authorities to let them watch the televised Olympic final basketball game between the home country and the U.S., but taunting guards interrupt the viewing and prod the prisoners to the point of a riot. After a period of a kind of blissful anarchy where the inmates taste freedom, Keber enlists the house "intellectual" Mrak to devise a system of prisoner self-government aimed at forcing reforms on the state.

A political drama with elements of a thriller discusses politics, electoral fraud, and the decay of moral values, taking place in the fictional town of Rovte under the idyllic Alps. Franta, a corrupt mayor, is about to lose the election. After a TV debate, where he fails utterly, Franta calls his mistress Jozica in desperation. She advises him to seek the aid of Fleischmann, a criminal who is the only one capable of solving the problem on such short notice. After all, there are only four days left until the elections.

Private detective Emil Marlovsek can boast a wealth of solved cases of run away and lost dogs. He is assisted in his work by his secretary Beba and Milivoj, a retired officer of the Yugoslav National Army. One evening, Emil encounters the beautiful Sara in the bar where he occasionally plays the piano and falls in love at first sight. The next morning Sara disappears. Not long after he is paid a visit by entrepreneur Grubelic whose wife is missing. Emil soon realizes that she is Sara and immediately starts to search for her. He discovers that Sara is being held prisoner by the mafia, on account of her husband's fishy business involving people in high places. The story's outcome is completely unexpected.

In a small town where everyone knows everybody else, independent researcher Vesna is investigating the death of the director of the local radio station. Although the director evidently committed suicide, Vesna, who has uncovered evidence of a conspiracy, is convinced that he was murdered. When several of the people she has spoken to about the matter find out that the director (Milan) was Vesna's father, they become even more withdrawn about the matter. Will Vesna succeed in unraveling the mystery--despite the many warnings that she should stop trying to uncover the truth?

The city of Maribor before the Second World War, and Maribor after its liberation mark the period in which the film Cafe Astoria is set. The story relates with a gentle melancholy and a slight irony the lives of a middle-class family: the cafe owner, his wife and their son. Through their individual destinies we become acquainted with the social and historical background of a by-gone era; the social and national differences of pre-war Maribor, divisions among the wealthy and poor, and nationally minded Slovenes and fanatic Germanophils. The first year after the war introduced the absurd characteristic cruel measures of the so-called revolutionary social transformations in which calamity and coincidence intervene, resulting in events of comic nature, of course, as seen from a safe distance of fifty years.

The focus is on the disintegration of an idyllic relationship between parents, Marko and Dunja. This is due to a lack of respect, caused by loss of employment and a financial breakdown. In time, the parents are no longer able to bear their burden, which is thus increasingly weighing their children down. In Slovenia, the story from The Basics of Killing occurs on a daily basis, but it could happen anywhere. To those familiar with the phenomenon, the film will be a painful experience, to others, may it be a warning.

By a twist of fate, Damjan is mistaken for a murderer who was prowling the streets of Ljubljana in the same neighbourhood. Because of his naive, friendly approach and helpfulness, his wife walks out on him and the police have doubts about his sanity. Is Damjan really losing his memory like his father did before him? And does purity of mind and spirit necessarily lead to a person's downfall? Will Damjan, who is mysteriously attracted and connected to the cinema and who finds himself drawn into a case of mistaken identity (just like in the movies) succeed in setting his life in order in spite of the mix-up and in finding the right companion for himself?

Set in socialist Yugoslavia in 1986, a humble and diligent factory worker falls into a 10-year shock right at his working place. He wakes up from coma in hospital in 1996 capitalist Slovenia, only to find out that he's left without job as being redundant.

In the wild times of the Second World War, Blanka marries political grandee Pavle, who is shortly afterwards sent to Goli Otok as a political prisoner. Blanka has enthusiasm for photography, becomes independent and opens a studio of photography with Laco. But soon she realizes that her business partner is an impostor. Pavle returns from prison, but their relationship, despite awareness of the political interference in their intimate sphere, imbues the bitter chill and misunderstanding. Blanka tries to drown her endless problems in alcohol and seduce her only male friend, but her last rescue, the thread of love, is being interrupted as well. Is every love of Blanka Kolak sentenced to death, is love possible at all, is worth living without it?

Taut and witty story about the heroic eleven-years old kids that are accidentally caught in a very grown up adventure. Directness , candor , wit and ingenuity help them to ruin adult offenders plans and bring them to face justice.