Ruben Östlund
Directing
Biography
Ruben Östlund (Swedish pronunciation: [ˈrʉːbɛnˈœstlɵnd]) (born April 13 1974) is a Swedish filmmaker best known for his satirical black comedy films Force Majeure (2014), The Square(2017) and Triangle of Sadness (2022). He is the recipient of various accolades, including two Palmes d'Or, four European Film Awards and nominations for three Academy Awards. Östlund was born in Styrsö, Gothenburg Municipality, Sweden. After high school, he started working in various ski resorts in the Alps during the winter seasons. While in the Alps, he began making skiing videos for his friends, which helped him obtain a job at a local production company. He went on to study at the film school in Gothenburg, graduating in 2001. He was accepted to the school based on his skiing films. Together with film producer Erik Hemmendorff, he is the co-founder of the production company Plattform Produktion, which produces his films. His first three feature-length fiction films were The Guitar Mongoloid (2004), Involuntary (2008) and Play (2011). The Guitar Mongoloid won the FIPRESCI Award at the 27th Moscow International Film Festival. Östlund's short film Incident by a Bank won the Golden Bear for Best Short Film at the 60th Berlin International Film Festival and the Grand Prix at Tampere Film Festival in 2011. In 2014, his film Force Majeure was selected to compete in the Un Certain Regard section at the Cannes Film Festival, winning the Jury Prize. Sweden then submitted Force Majeure for the Academy Award for Best Foreign Language Film. After the Academy shortlisted but did not nominate it, Östlund released a humorous video of his response to missing the nomination list. In 2016, he was a member of the jury for the Un Certain Regard section of Cannes. In 2017, his film The Square, loosely inspired by some of his own experiences and art installation with Kalle Boman, competed at the Cannes Film Festival, where it ultimately won the Palme d'Or. Alissa Wilkinson of Vox described the film as "Burying self-referential allusions in the background and merrily poking viewers till they bruise, The Square at times feels more like longform performance art than a narrative film. It's social satire by way of art-world comedy, and no woke participant is exempt from its barbs." In 2020, he received the King's Medal in Gold for significant efforts in Swedish film. Afterwards, he pursued the project Triangle of Sadness, a satirical film about the wealthy elite, winning his second Palme d'Or in 2022. On January 23, 2023, he won Best Director at the Guldbaggens gala for Triangle of Sadness. The film won five other nominations. In January of the same year, only a day after winning the Guldbaggengala, Triangle of Sadness received Academy Award nominations for Best Picture, Best Director, and Best Original Screenplay. He was the Jury president of the 2023 Cannes Film Festival. Östlund has been in a relationship with fashion photographer Sina Görcz since 2014 and has a son called Elias. He was previously married to his director colleague Andrea Östlund. They divorced in 2008 and have twin daughters, Alva and Hilda, together. Östlund was 28 when he became a father for the first time and was working on The Guitar Mongoloid, his first feature film. Description above from the Wikipedia article Ruben Östlund, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For
Skavlan is a Norwegian-Swedish television talk show hosted by Norwegian journalist Fredrik Skavlan. It premiered in Sweden on Sveriges Television in January 2009, and the first guests to appear on the show were former Prime Minister of Sweden Göran Persson and his wife Anitra Steen. On 8 May 2009, it was announced that Skavlan had been renewed for a second season. It was also announced that the show would no longer only be produced by SVT in Sweden; Skavlan would now be partly produced in Norway by the Norwegian Broadcasting Corporation. The first twelve episodes of Skavlan's second season were produced by SVT in Sweden, and the remaining twelve by NRK in Norway. Skavlan speaks Norwegian and his dialog is therefore subtitled in Swedish in Sweden, even though the two languages are quite similar and mutually intelligible. If the persons being interviewed by Skavlan are Swedish, he often tells them to let him know if they do not understand what he is saying. Swedish novelist Jan Guillou has criticized SVT for subtitling the program, stating "there is no need for that. If the host had been Danish, subtitling would have been necessary, but with a Norwegian host it does not make any sense."
Skavlan
Following the sudden death of his mother, a mild-mannered but anxiety-ridden man confronts his darkest fears as he embarks on an epic odyssey back home.
Beau Is Afraid
A celebrity model couple are invited on a luxury cruise for the uber-rich, helmed by an unhinged, alcoholic captain. What first appears Instagrammable ends catastrophically, leaving the survivors stranded on a desert island in a struggle of hierarchy.
Triangle of Sadness
As long as there is cinema, LE CERCLE will be there. It is the only television program of critical debates 100% devoted to cinema. Each week, it offers fiery, joyful and non-condescending jousts on the films on the bill; and invites with "Le questionnaire du CERCLE" directors to come and share their passion for cinema.
Le Cercle
No description available.
Carina Bergfeldt
While holidaying in the French Alps, a Swedish family deals with acts of cowardliness as an avalanche breaks out.
Force Majeure
A prestigious Stockholm museum's chief art curator finds himself in times of both professional and personal crisis as he attempts to set up a controversial new exhibit.
The Square
No description available.
Min sanning
Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other.
Downhill
Literature talkshow with Jessika Gedin.
Babel
Set on a long-haul flight where the entertainment systems fail, an eclectic group of international passengers are forced to face the horror of being bored.
The Entertainment System Is Down
In central Gothenburg, Sweden, a group of boys, aged 12-14, robbed other children on about 40 occasions between 2006 and 2008. The thieves used an elaborate scheme called the 'little brother number' or 'brother trick', involving advanced role-play and gang rhetoric rather than physical violence.
Play
From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity's unique obsession with the camera's image and the social consequences that lay ahead.
And the King Said, What a Fantastic Machine
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Room 999
No description available.
Ritratti di cinema
A 12-year-old boy making basic punk songs, grown men playing with guns, a neurotic woman with euphoric happiness targeting self destruction – a Swedish everyday life you've never seen before.
The Guitar Mongoloid
In several unrelated stories, the consequences of putting one's foot down – or failing to do so – are explored.
Involuntary
The meaning of life, death and everything else? The possible answers are plenty in Max Kestner's adventurous film, which starts when the death of a giraffe at the Copenhagen Zoo goes viral from Hollywood to Chechnya.
Life and Other Problems
Ten years after the first documentary, the legend of the Palme d’Or… continues. Some new laureates of the Cannes trophy relive, for us, the very special moments surrounding the awarding of the Palme d’Or.
The Legend of the Palme d’Or Continues
10 Meter Tower is a short film taking place in a swimming pool with 6 cameras aimed at the tallest diving tower. All focus is on the 43 people between 9 and 78 years old. They have one thing in common, this is the first time in their lives they climb up to the platform to make the decision whether to jump or not. The situation itself highlights a dilemma: to weigh the instinctive fear of taking the step out against the humiliation of having to climb down.