
Philippe Garrel
Directing
Biography
Philippe Garrel (French: [gaʁɛl]; born 6 April 1948; Boulogne-Billancourt) is a French director, cinematographer, screenwriter, film editor, and producer, associated with the French New Wave movement. Garrel and actress Brigitte Sy are the parents of actors Louis Garrel and Esther Garrel. Philippe Garrel was born in Boulogne-Billancourt in 1948, the son of actor Maurice Garrel and his wife. His brother, Thierry Garrel, is a producer. The younger Garrel became interested in film and started his career early, influenced by the new work of Jean-Luc Godard and François Truffaut. At the age of 16, Garrel wrote and directed his first film, Les Enfants désaccordés, in 1964. His films have won him awards at Cannes Film Festival , Venice Film Festival, and Berlin Film Festival. His works often deal with the theme of the disruptive youth of the 1960s, of which he was a part of. He has directed students of the National Conservatory of Dramatic Art where he teaches acting classes. He also staged, in his films several of his friends and family members.
Known For

Paul reflects on the summer he met Angèle and Frédéric as he watches his friend being laid to rest.
A Burning Hot Summer

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
Cinématon

1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail at the police. He smokes opium and talks about revolution with his friend, Antoine, who has an inheritance and a flat where François can stay. François meets Lilie, a sculptor who works at a foundry to support herself. They fall in love. A year passes; François continues to write, talk, smoke, and be with Lilie. Opportunities come to Lilie: what will she and François do?
Regular Lovers

An orphan boy named Tim is afraid of the dark. However, when the stars start going out in the sky, he finds himself exploring the world of the night, alongside his new friend, the Cat Shepherd.
Nocturna

Three siblings comprise the latest generation in a family of puppeteers led with passion by their father. They are magicians of a kind, but can barely make ends meet, working mainly for the love of their craft. Their grandmother contributes too, not only as a seamstress but also as a repository of memories and wisdom. A tragic event will challenge the desire of each sibling to carry on.
The Plough

An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.
Golem, the Spirit of Exile

After a bad breakup, a college-aged Parisian moves into her father's flat only to discover that he is living with his new girlfriend - a young woman her age.
Lover for a Day

The unhappy love lives of Paul and Marcus, two artists and friends who are neither particularly young nor successful anymore.
The Birth of Love

Luc travels to Paris for the first time to sit the entrance exam for a carpentry school. There he meets Djemila, a young worker with whom he enjoys a short romance, before returning to his home town and beginning a relationship with Geneviève, whom he has known since childhood. Caught between two passions, Luc runs, resolving to fulfil his father's dreams by devoting himself to his future... until finally, he experiences true love.
The Salt of Tears

The professional and emotional cross-currents between two romantically entwined theater actors played by the director’s son Louis and Anna Mouglalis.
Jealousy

A story of the caring friendship formed between a crusty, old anti-Semite and an eight-year-old Jewish boy who goes to live with him during World War II.
The Two of Us

For those who were young, living under the delusions of love and soft drugs in Paris, May 1968 - even if the guitar is still playing, they can't hear it any longer.
I Can No Longer Hear the Guitar

Pierre and Manon are poor. They make documentaries with nothing and they live by doing odd jobs. Pierre meets a young intern, Elisabeth, and she becomes his mistress. But Pierre will not leave Manon for Elisabeth; he wants to keep both.
In the Shadow of Women

A series of 43 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.
Cinétracts
No description available.
Bouton Rouge

A composition of symbolic, surreal and almost mystic images.
The Inner Scar

A celebrity is caught by her husband with a young lover.
Frontier of Dawn

Film comprised of six vignettes each illustrating one aspect of life in the French capital, each set in a different area of the city.
Paris Seen By... 20 Years After

A young film director is making a movie with his friend Christa. In the film-within-the-film there are two couples, one real, one imagined, and the film - told through five dreams - is as much the story of a film in-production, as the birth of a child.
She Spent So Many Hours Under the Sun Lamps

Jean-Baptiste, a filmmaker, and Elie, an actress, fall in love. To fight their unhappiness, they cling to their children: Jean-Baptiste to his film and Elie to her young son.