Editing
In Taipei’s dreamscape, Tao’s incomprehensible love for Shin drives her to create painful memories. Meanwhile, Melih, burdened with self-blame, longs to connect with the perpetually drunk Ping.
A vigilante serial killer in Hong Kong leaves ominous death notices, prompting the police to launch a special task force to uncover a hidden conspiracy.
Kam Tin is home to people of many ethnicities, like a miniature United Nations. Chris moves there from the city with his wife Erica and their daughter, Wing Yan. As they adjust to their new life, they must also learn how to get along with neighbors of different ethnicities. Chris starts a business with an Indian partner, though Erica has little faith in it. Wing Yan befriends an African asylum seeker, sparking gossip. Haunted by unpleasant past experiences, Erica carries racial stereotypes, growing increasingly anxious and unsettled as tensions rise…This film is funded by the Hong Kong Arts Development Council.
During a casting session, an actress auditions to play a shrimp. As her performance unravels, so does her certainty. Watching from behind the glass, the shrimp begin to question not only her, but also what it means to be represented — and whether something truly real can ever be performed.
Facing many hard times and difficulties in life, Tsz-Chun has no one to share with but his toy astronaut. One day in school there was a drama show about space exploration. In between fantasy and reality he embarks on an adventurous journey.
Life perhaps resembles a football match. Losses could have been undone if you are ambitious enough. In A Floating Hope, Kit seemingly takes up this football philosophy. As a little school boy, he has to face the consequences of his parents’ divorce. On his birthday, Kit meets his mother for a brief time, wishing to regain a mother-and-son relationship.
In order to fulfill the expectation of her mom and her grandpa, Nam is raised as a boy since she was born. She dresses like a boy every day before going to school, gets changed back to a girl’s uniform, and puts on a boy’s outfit before heading home. Her hysterical mom anticipates the return of her husband, which is a dream never come true. Nam finds her only shelter at her childhood friend Yeung’s house, a place where she can finally be herself, i.e. doing laundry for her underwear. But her life changes on the day when Yeung disappears.
At the first glance, a crayon drawing appears the very portrait of a happy family, but a closer examination reveals that something is amiss. Lam Tsi-hei is the eldest son of a family that stares darts and hurls verbal abuse at each other, complete with sibling antagonism and resentment bred by thoughts and feelings left unexpressed. Directly a film on a subject fiercely personal and close to his heart, Tsi-hei digs up a crayon drawing from his boyhood. While cherishing the memories of an affectionate bond that skips a generation, he realises he must go hat-in-hand and repair his relationship with his estranged family.
Going through rubbish bins of neighbours for scrap metal to sell, putting food on the table for a dependent grandfather and no school, there’s not much of a life for an orphaned boy. Finders, keepers so when he makes a treasure find, he keeps it until its sentimental value is known and its rightful owner, a neighbour girl, located, whereupon stories of similar misfortunes are told, bonds are forged and pledges are made. Yet life can be cruel, even to a little soul who has borne witness to too much death.
